A Quote by Malcolm Gladwell

A book, I was taught long ago in English class, is a living and breathing document that grows richer with each new reading. — © Malcolm Gladwell
A book, I was taught long ago in English class, is a living and breathing document that grows richer with each new reading.
When I was a teenager, reading for me was as normal, as unremarkable as eating or breathing. Reading gave flight to my imagination and strengthened my understanding of the world, the society I lived in, and myself. More importantly, reading was fun, a way to live more than one life as I immersed myself in each good book I read.
I tend to think of the reading of any book as preparation for the next reading of it. There are always intervening books or facts or realizations that put a book in another light and make it different and richer the second or the third time.
My mother had been an English teacher in India before she came to the U.K., and she taught me to read early on - not only in English, but in Hindi, too. My teachers didn't like the fact that I was reading more quickly than they were teaching, and as a consequence, I would sometimes get bored in class.
The Constitution is a living, breathing document that can speak to you and nobody else.
I was always taught that book keeping was more relevant than book reading. The only thing worth reading was meant to be a balance sheet.
We need to put people on the bench that understand the Constitution is not a living and breathing document. It is to be interpreted as originally meant.
We can all learn from every text. Reading the work that disgusts you can only strengthen your core beliefs. I could teach a semester-long course based only on reading the local telephone book. All stories can be taught in valuable ways.
The regret on our side is, they used to say years ago, we are reading about you in science class. Now they say, we are reading about you in history class.
Not long time ago there was a striking example of the extent to which English has diverged: a television company put out a programme filmed in the English city of Newcastle, where the local variety of English is famously divergent and difficult, and the televised version was accompanied by English subtitles!
Our colonizers have taught us to believe that our health has improved because of Western medicine, Western foods, and Western technology. In a society that values progress, our colonizers taught us that conditions in the world are perpetually improving, that with each new technological advancement, each new discovery, each new way to utilize resources, each new way to alter the environment, that the world is getting better, that it is advancing. These are all lies.
When I was thirteen, I was in a supermarket with my mother, and for no reason at all, I picked up a science-fiction book at the checkout stand and started reading it. I couldn't believe I was doing that, actually reading a book. And, man, it opened up a whole new thing. Reading became the sparkplug of my imagination.
When you're on this major English estate, breathing in the English air, and it's untouched, you can feel its presence. It's a whole different feel. It really felt like we were there living it. It didn't feel modern, ever.
I doubt if I shall ever have time to read the book again -- there are too many new ones coming out all the time which I want to read. Yet an old book has something for me which no new book can ever have -- for at every reading the memories and atmosphere of other readings come back and I am reading old years as well as an old book.
I was always an avid reader of books. My vocabulary, my English are all thanks to that reading habit. Reading keeps me grounded. I came from a very middle class family - poor, in fact.
Rebecca Mead's My Life in Middlemarch is a wise, humane, and delightful study of what some regard as the best novel in English. Mead has discovered an original and highly personal way to make herself an inhabitant both of the book and of George Eliot's imaginary city. Though I have read and taught the book these many years I find myself desiring to go back to it after reading Rebecca Mead's work.
I like living, breathing better than working...my art is that of living. Each second, each breath is a work which is inscribed nowhere, which is neither visual nor cerebral, it's a sort of constant euphoria.
This site uses cookies to ensure you get the best experience. More info...
Got it!