A Quote by Maluma

I found my voice singing pop and ballads, almost all of them Colombian artists. When I was 16, my family gave me a recording session with some Colombian producers, and that's where I started my career.
Some people's parents listened to the Beatles... but my family is Alquimia, Celia Cruz, and Carlos Vives - this old, rich Colombian music. I loved hearing that while I was growing up.
By that point, I had started taking singing lessons. And after the first session, I mean, I was surprised that the windows didn't shatter. And after the third session, I really didn't know where this voice had come from.
The very first Walnut Whales recording was recorded just a few weeks after I had started singing, out of the blue, started singing. And the voice, you can hear how uncomfortable I am with it, and how terrified I am with it.
I'm Colombian. My family all have different complexions; some are people of color. I've been called every name by white people, been mocked for speaking in Spanish by white people.
Pop music has progressed. The singing voice has changed dramatically in pop music, and people now just sing the way they want to, in their speaking voice, instead of putting on some great transatlantic rock and roll sneer.
I'm pretty positive that if I started singing songs that were for my fame, the God would probably make me tone deaf again. I know why He gave me that voice. I know why He gave me my ears.
That's how it all started, when I met my wife. My music career, even though I started when I was 16, it never really started till I was like 30, when I started singing and writing my own songs, and that's when it really took off. But prior to that, I was just doing a bunch of covers.
Juanes is one of the legendary, iconic Colombian artists. Growing up in Colombia, you can't really not have him on your radar. His songs are everywhere, and there's a statue of him. He's pretty big for Latin America, and for Colombia especially.
I was focusing on sax while at Berklee, but then I started to play Brazilian choro and Colombian music. I was doing more folkloric stuff on the clarinet because it works better. Finally, I realized I was working more on the clarinet than the saxophone, and I started to feel more comfortable on it.
It was always difficult for me to listen to my singing voice for the first 20 years or so. I mean, I really enjoyed singing, and I enjoyed doing live shows, but being in a recording studio and having to hear my voice played back to me would really drive me up the wall.
I'm Colombian and nothing will change that.
Listen, I'm not afraid of anything. I'm Colombian.
Baby names are a big debate in my family. Like true Colombian and Puerto Rican families, everybody and their mother is putting their two cents in - everything from Jose to Francisco to Victorio to Rain has been suggested.
For the most part I write very stream of consciousness. I basically need to be recording an entire writing session because it's almost like I black out and just start singing whatever is on my mind and forget it as soon as I stop.
I'm not going to do anything that will damage my voice because my voice is my career and singing is my passion. I was singing in the cot and I'll still be singing when they're nailing down my coffin.
I didn't feel comfortable as an executive. I felt comfortable around artists and record producers... and then I found my niche: I gotta find great producers, and I produce them.
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