A Quote by Malcolm X

Yes, I'm an extremist. The Black race here in North America is in extremely bad condition. You show me a Black man who isn't an extremist and I'll show you one who needs psychiatric attention.
As long as a white man does it, it's alright, a black man is supposed to have no feelings. But when a black man strikes back he's an extremist, he's supposed to sit passively and have no feelings, be nonviolent, and love his enemy no matter what kind of attack, verbal or otherwise, he's supposed to take it. But if he stands up in any way and tries to defend himself, then he's an extremist.
I'm an extremist? I don't think so. I think people that call me an extremist are extremely brain dead and soulless.
For black America needs a politics whose first mission isn't the reinforcement of the idea of black America; and a discourse of race that isn't centrally concerned with preserving the idea of race and racial unanimity. We need something we don't yet have: a way of speaking about black poverty that doesn't falsify the reality of black advancement; a way of speaking about black advancement that doesn't distort the enduring realities of black poverty.
The black man in North America was sickest of all politically. He let the white man divide him into such foolishness as considering himself a black 'Democrat,' a black 'Republican,' a black 'Conservative,' or a black 'Liberal' ...when a ten-million black vote bloc could be the deciding balance of power in American politics, because the white man's vote is almost always evenly divided.
I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.
I take a very simple view that a violent extremist at some point previously been an extremist, and by definition is an extremist, so you do need to look at that non-violent extremism.
Our respect for the dead, when they are just dead, is something wonderful, and the way we show it more wonderful still. We show it with black feathers and black horses; we show it with black dresses and black heraldries; we show it with costly obelisks and sculptures of sorrow, which spoil half of our beautiful cathedrals. We show it with frightful gratings and vaults, and lids of dismal stone, in the midst of the quiet grass; and last, and not least, we show it by permitting ourselves to tell any number of falsehoods we think amiable or credible in the epitaph.
I remember when I had my show [The Chris Rock Show on HBO], I used to run my show. It was so hard to get people to bring sketches to me. No one had ever worked for a black person before. Even the black people hadn't worked for a black person. It literally took a month or two for everybody to know: I'm really running the show.
I never watched the Oscars. Come on, it's a fashion show . . . What straight black man sits there and watches the Oscars? Show me one. And they don't recognize comedy, and you don't see a lot of black people nominated, so why should I watch it?
'Drag Race' has become a staple of modern television for the way it skewers expectations and attitudes about gender, much as a show like 'black-ish' works to challenge stereotypes about black families in America.
I used to joke for years that I was a black man. I adopted the black culture, the black race. I married a black woman, and I had black kids. I always considered myself a 'brother.'
The black characters on TV are the sidekicks, or they're insignificant. You could put all the black sidekicks on one show, and it would be the most boring, one-dimensional show ever. Even look at the black women on 'Community' and 'Parks and Recreation' - they are the archetype of the large black women on television. Snide and sassy.
The black man in North America was economically sick and that was evident in one simple fact: as a consumer, he got less than his share, and as a producer gave least. The black American today shows us the perfect parasite image - the black tick under the delusion that he is progressing because he rides on the udder of the fat, three-stomached cow that is white America.
Whenever any black man in america shows signs of an uncompromising attitude, against the injustices that he experiences daily, and shows no tendency whatsoever to compromise with it, then the American press [characterizes him] as a radical, as an extremist someone who's irresponsible, or as a rabble rouser or someone who doesn't rationalize in dealing with the problem.
There is no psychiatric pattern which can predict who becomes an extremist - but they are all frustrated with their reality.
As the lone black host at two different all-sports stations, black callers and listeners dominated my show. Black advertisers did not. The show was financially supported primarily by white businesses, and the largest demographic for listener growth was white males.
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