A Quote by Manolo Blahnik

When I was a boy I remember the women, how they dressed, how they behaved, what was important to them at the time. Like Lee Marvin and Gloria Grahame in The Big Heat. — © Manolo Blahnik
When I was a boy I remember the women, how they dressed, how they behaved, what was important to them at the time. Like Lee Marvin and Gloria Grahame in The Big Heat.
I was debating whether to do Legally Blonde, and I saw this interview with Gloria Steinem about how important Goldie Hawn's role in Private Benjamin was for women; by the end of the movie, the character socked her fiancé in the face at the altar because he didn't understand who she'd become through her journey. I was like, "I feel like Gloria Steinem told me to do Legally Blonde. That's how Elle Woods is too!"
Lee Marvin was there at the same time, and I knew obviously it was his movie [Emperor Of The North], and Ernie Borgnine was playing the other part in the movie.I met Marvin there at wardrobe, and he said, "What are you doing for lunch?" I said, "Nothing." He said, "C'mon with me!" And he took me to the commissary. I walked into the commissary with Lee Marvin at 20th Century Fox, and he introduced me to people. He said, "This's Keith Carradine. We're doin' this movie together." He was so cool. I mean, my God.
Growing up, my mom was very strict about how I dressed and how I behaved, and I said to myself that I wasn't going to be like that. But now I know I'm going to be exactly like my mom. I'm going to be worse!
Lee Marvin was my godfather and a very close friend of my father's. My father directed the very successful 'Point Blank' in which Lee Marvin starred.
I was surrounded by talented people. I always remember Mrs. Carmel Snow, saying to me, "You know, Polly, if one person thinks they're a big star, then we're all stars. You just go out there and always do your best. And always have time to see any designer - no matter how big or how small, have time to see them. You don't have to just see the big shots. You never know what's coming around the corner and the talent that is going to be important. That is your job."
I think it's mainly when I need inspiration I look at the old pictures. I don't find it as much in the new stuff. I love Carole Lombard. I think she's wonderful. Gloria Grahame was really great. Garbo. Dietrich. People knew how to create an illusion. Now everything is very realistic and straightforward. Everyone's grunge.
It was really fun and intimate in a way. Working with George Miller is exquisite. Gloria is different from anything I've ever played before. The first time I saw the characters in the studio I remember thinking that Mumble looked just like Elijah, with such a cute and endearing face. I don't think Gloria looks that much like me.
It's really important how you say things because people won't necessarily remember what words you used, but they'll remember how you made them feel.
It's really important how you say things because people won't necessarily remember what words you used but they'll remember how you made them feel.
That's how I became the damaged party boy who wandered through the wreckage, blood streaming from his nose, asking questions that never required answers. That's how I became the boy who never understood how anything worked. That's how I became the boy who wouldn't save a friend. That's how I became the boy who couldn't love the girl.
As women, we get the message about how to be a good girl - how to be a good, pretty girl - from such an early age. Then, at the same time, we're told that well-behaved girls won't change the world or ever make a splash.
You have to remember. . .that for this little boy whom you have met, his life is just as important to him, as your life is to you. No matter how insufficient or how shabby it may seem to some, it is the only one he has.
I say to the women out there, remember how difficult it was for women like Justice O'Connor starting out. Even though she graduated with top grades, she had to take a job as a legal secretary. Remember how far we have come.
How women dressed every single day back in those days is seen as kind of incredible - it must have taken so much time. But there's something so romantic about that because it's so different to how we dress. That aesthetic is so appealing, it's not what we're used to nowadays.
Jason Lee made me laugh all the time because he's so big, and I love how goofy bodies can be.
The question of energy is an important one. The big issue is how to get it, how not to destroy the environment, and how to survive as a species. It's a big deal.
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