A Quote by Margaret Weis

All the characters and plots were predetermined. Games make bad plots. — © Margaret Weis
All the characters and plots were predetermined. Games make bad plots.
If the songs were in lumps, then you would expect to understand what was going on in the plot. Which is not a realistic goal. And also the instrumentation is different for every show, so it's more varied sonically. And people are free to make up their own plots, of course. There are pretty dense and complicated plots, and they're simple songs.
All plots tend to move deathward. This is the nature of plots.
There are those who maintain that in this world women have no right to interfere in the affairs of state, in politics, in plots and counter-plots. Others that are who, more chivalrous, are willing to admit that women have as much right to act, think, and speak as men.
In the late 1980s, Soviets were allowed to keep the wealth they created by raising vegetables on their garden plots. Although these plots composed only about 2% of the agricultural lands in the Soviet Union, they produced 25% of the food! When Soviets kept the wealth they created, they produced almost 16 times more than when it was taken from them at gunpoint, if necessary!
As regards plots I find real life no help at all. Real life seems to have no plots.
I was commissioned to write some romantic fiction, and I really liked doing those, and they were very instructive in terms of building characters and plots. But it never felt right for me.
Storylines are how characters create the plots involved in their stories.
I always like to think of music as if you were to turn the picture off, actually. Just by listening to the piece of music, there's a story there and a connection to the characters and the plots and all of that.
A writing teacher once told me that the most successful movies and books were simple plots about complex characters. You should be able to articulate your concept in a couple of lines.
Plots behind plots, plans behind plans. There was always another secret.
As one of my creative writing professors once said, there are only seven plots. What makes those plots different is how you handle them, your voice, your style, and your way of thinking. That’s all. People can mimic your style, but they can never achieve your unique point of view.
To me, it all comes down to things being character-driven. It's hard for me to look beyond that. CG and all this cool stuff - so be it. But to me, it pretty much begins and ends with character-driven plots rather than technologically-driven plots.
I'm told my SF is of the hard variety and my Fantasy is romantic but hopefully all the characters are strong and the plots are lively.
All good plots come from well-orchestrated characters pitted against one another in a conflict of wills.
The Indian audience is getting exposed to world cinema and realising the power of unique plots and distinct characters.
I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are.
This site uses cookies to ensure you get the best experience. More info...
Got it!