A Quote by Margaret D. Klein

Online petitions are built around getting as many signatures as possible. But the experience of taking them and forgetting about them degrades the importance. — © Margaret D. Klein
Online petitions are built around getting as many signatures as possible. But the experience of taking them and forgetting about them degrades the importance.
Great stories happen all around you every day. At the time they’re happening, you don’t think of them as stories. You probably don’t think about them at all. You experience them. You enjoy them. You learn from them. You’re inspired by them. They only become stories if someone is wise enough to share them. That’s when a story is born.
We obsess about celebrities. We create them, build myths around them, and then hunt them and destroy them. I don't know where it's taking us or what it means, but I know we do it. I have seen a lot of it myself.
I think one of the things about being around for a while and getting to know yourself is that when you do have these positive experiences, you don't take them for granted - you identify them and you make the most of them. I don't know - it's kind of cool getting old in a lot of ways.
I know the von Trapps well. I've known them for many years and they are very reluctant to let anybody on to their property or to let anybody film them. They are constantly getting requests from all around the world to do shows about them or having news stories done and they're very private people.
Kids are finding out about the potential for discovery online from other sources; many of them have computers at home, for instance, or their friends have them.
You can be in Ohio and shoot your own web series, if you want. If this had been around when I was in high school, I can guarantee you that my friends and I would have been shooting our own television shows and putting them online and trying to get as many hits as possible.
When I start my class I ask the students to write their signatures on pieces of paper and put them on a table. I have them look at them, and I point out, "They're all different, aren't they? That's you, that's you, that's you, that's you."
For me what photographers say about their photos doesn’t have any importance. For me it is just enough to look at the pictures. Many times - for the boring pictures - people have to say so many things about them to show you there is something to them when many times there is nothing.
Concerning culture as a process, one would say that it means learning a great many things and then forgetting them; and the forgetting is as necessary as the learning.
I've run into people in my life who were so dramatic; people who are so extreme and so frustrating to be around that you end up thinking about them and talking about them for literally years after your experience with them is over.
I've grown up in the film industry and I've been watching them, analyzing them, laughing at them, totally understanding them and getting their point of view, and, at times, taking up for them. So I'm part of it and it's part of me.
America was founded on the fissure between slave states and free states, so these huge fault lines are just built into the American project. How we repress them, express them, deal with them, talk around them, think through them, don't think through them, is fascinating to me.
Many plays - certainly mine - are like blank checks. The actors and directors put their own signatures on them.
Letting yourself simply experience your difficulties without getting caught up in thoughts about how much you dislike them and in wishes that you didn't have to deal with them in the first place will change your experience of difficulties.
I was taking all prints and I brought them to the Magnum meetings, trying the old Josef Koudelka trick: Give them to photographers, who are getting bored during the talks about the economics of the agency, to look through with a pen. They'll separate them in two piles. I started to find the core pictures that people seem to relate to.
I suppose I like to set myself projects that are tight, focused, and then challenge myself with how broad I can go within that limited aspect. I think to Helmut Newton and film director, Federico Fellini - the added level of eroticism, the arousing message - and how it was possible for them to keep their signatures over so many years.
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