A Quote by Margaret J. Wheatley
In fact, Western culture has spent decades drawing lines and boxes around interconnected phenomena. We've chunked the world into pieces rather than explored its webby nature.
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The argument now that the spread of pop culture and consumer goods around the world represents the triumph of Western civilization trivializes Western culture. The essence of Western civilization is the Magna Carta, not the Magna Mac. The fact that non-Westerners may bite into the latter has no implications for their accepting the former.
In our traditional culture, people have a very different view towards nature than in Western culture. We consider humans as part of nature. But in the West, they talk about protecting nature. That's a joke because nature doesn't care; it's humans who need to protect themselves.
With pencil there is a tendency to be timid, either using very faint lines or erasing bad lines... Line sketching tends to emphasize the structure of a drawing rather than the nuances of media.
The new paradigm may be called a holistic world view, seeing the world as an integrated whole rather than a dissociated collection of parts. It may also be called an ecological view, if the term "ecological" is used in a much broader and deeper sense than usual. Deep ecological awareness recognizes the fundamental interdependence of all phenomena and the fact that, as individuals and societies we are all embedded in (and ultimately dependent on) the cyclical process of nature.
Industrial culture? There has been a phenomena; I don't know whether it's strong enough to be a culture. I do think what we did has had a reverberation right around the world and back.
The chess-board is the world, the pieces are the phenomena of the universe, the rules of the game are what we call the laws of Nature. The player on the other side is hidden from us.
What 'multiculturalism' boils down to is that you can praise any culture in the world except Western culture - and you cannot blame any culture in the world except Western culture.
By the nature of the sport and the danger we face daily, we are very close knit. Some of us have spent most of our lives together. To give you an example, having spent two decades sitting next to Richard Johnson and seeing him virtually every day, I have probably spent more time with him than I have my family, and he the same.
Western artists stand as humans looking at nature; Asian artists try to be in nature. You become one with nature rather than painting a portrait of it. That's a big shift.
Natural Selection never made it come to pass, as a habit of nature, that an unsupported stone should move downwards rather than upwards. It applies to no part of inorganic nature, and is very limited even in the phenomena of organic life.
Reorganization to me is shuffling boxes, moving boxes around. Transformation means that you're really fundamentally changing the way the organization thinks, the way it responds, the way it leads. It's a lot more than just playing with boxes.
Especially for those of us living in the Western culture, death to a large extent is still a taboo subject. It's considered something dreadful that shouldn't be happening. It's usually denied. The fact of death is not faced. What we don't realize in Western culture is that death has a redemptive dimension.
I think of magazines as cultural entities rather than boxes of corn flakes that can be sold and shipped around.
If there is such a thing as being conditioned by climate and geography, and I think there is, it is the West that has conditioned me. It has the forms and lights and colors that I respond to in nature and in art. If there is a western speech, I speak it; if there is a western character or personality, I am some variant of it; if there is a western culture in the small-c , anthropological sense, I have not escaped it. It has to have shaped me. I may even have contributed to it in minor ways, for culture is a pyramid to which each of us brings a stone.
This tremendous world I have inside of me. How to free myself, and this world, without tearing myself to pieces. And rather tear myself to a thousand pieces than be buried with this world within me.
We, including many Christians, read the Bible through "eyes" conditioned by, and even accommodated to, modern Western culture plus the influences of messages and ideas from other cultures that are alien to the worldview of the biblical writers. Therefore, in order fully to understand the Bible and allow the Bible to absorb the world (rather than the world - culture - absorb the Bible) we must practice an "archaeology" of the biblical writers' implicit, assumed view of reality.
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