A Quote by Margaret Keane

In the beginning, I started doing portraits of children, and of course, children have large eyes. For some reason, they just started getting bigger and bigger. Then, when I started painting imaginary children rather than real ones, they became bigger still.
The group started getting bigger and bigger, so Al started replacing Brian on the road, and then finally there was a big flare-up with Dave Marks and he left the group.
When I was 8, my dad asked me if I wanted to audition, just for fun. I did just a little short film, and I liked it. I just kept doing it, and then I started getting bigger auditions for bigger roles.
I think there's no question that there's a reason why small children make great art and why slightly bigger children don't. And it's because small children don't worry about what anybody else thinks and slightly bigger children start to worry about these things.
Then as I turned seven, I gradually moved onto pastels and started painting on large canvases that were much bigger than me.
I started out doing something little. I went to Africa to spend five weeks putting roofs on a building. I seen the small child that stepped on a land mine. Three months later, I'm back helping pull the land mines out. Little things just kept getting bigger and bigger and bigger.
I've definitely become smuttier. When I first started out, I had these aspirations: 'I'm not going to do jokes about anything crude because I'm bigger and better than that.' But then, I don't know... It makes me laugh, so I started doing it.
As Looker got larger, the talented people we hired started to see things that we couldn't. And what had looked like a company the three of us could run out of our houses for a few hours a day became something bigger. Much bigger.
I had five years in the business in Canada, and then I came down to the States in February of 2010. I had a good pilot season. I started getting guest star work. I started to get bigger stuff.
Every film that gets made, and I'm not just talking about 'Star Wars,' I'm talking about Marvel, DC, every tent pole film - they seem to just keep getting bigger and bigger and bigger and bigger. The worlds get bigger, the stakes get bigger.
In the beginning, me and my bandmates just did stuff on our own - we had smoke bombs, we'd dress as crazy and as weird as we possibly could, just to give ourselves a different ambience. But when we started making money, of course, the ideas started getting bigger. We were big fans of Broadway; we were like, "Man, when you go see a Broadway show, you just get pulled right out of reality; you're into their world for a two-hour period. It would be nice if we could do that onstage with a music concert".
Gromit was the name of a cat. When I started modeling the cat I just didn't feel it was quite right, so I made it into a dog because he could have a bigger nose and bigger, longer legs.
Then as I was wrestling as Terry Boulder. I was on a talk show with Lou Ferrigno, and I was actually bigger than he was! I went back to the dressing room that night and all of the wrestlers go 'Oh my God you're bigger than the hulk on TV' so they started calling me Terry 'The Hulk' Boulder.
My dream became bigger and bigger. And the box got bigger than the message, than the Gospel.
When Facebook was getting started, nothing used real identity - everything was anonymous or pseudonymous - and I thought that real identity should play a bigger part than it did.
The first 10 years of my journey, I was still figuring out who I was, and then I had to redo it all over again when I became bigger. So instead of saying, 'I'm gay and this is me,' I started telling the story through my music.
I want to make words out of life. That's bigger than me. That's as big a creative force as - bigger than, for me, even having children. That felt more accidental - wonderful, but accidental.
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