A Quote by Margaret Mead

If one cannot state a matter clearly enough so that even an intelligent twelve-year-old can understand it, one should remain within the cloistered walls of the university and laboratory until one gets a better grasp of one's subject matter.
Even the humblest Party member is expected to be competent, industrious, and even intelligent within narrow limits, but it is also necessary that he should be a credulous and ignorant fanatic whose prevailing moods are fear, hatred, adulation, and orgiastic triumph. In other words it is necessary that he should have the mentality appropriate to a state of war. It does not matter whether the war is actually happening, and, since no decisive victory is possible, it does not matter whether the war is going well or badly. All that is needed is that a state of war should exist.
There is no significant idea which cannot be explained to an intelligent twelve year old boy in fifteen minutes.
The better class of Briton likes to send his children away to school until they're old and intelligent enough to come home again. Then they're too old and intelligent to want to.
From him [Wilard Bennett] I learned how different a working laboratory is from a student laboratory. The answers are not known! [While an undergraduate, doing experimental measurements in the laboratory of his professor, at Ohio State University.]
Status does not matter. It is what you are like as a player. It doesn't matter how much money you have come for. That doesn't matter to me. I will play a 17-year-old if he fights and he has quality. It is quite easy.
The subject matter that I am really spending my time on has become an acceptable subject matter. Living, lifestyle, family, is now in the forefront of interest in America, and I've just stuck with it. I mean, I've been doing this for years, and I never got angry. I never said, you know, listen, I'm fighting for this subject. That wasn't my point. My point was to continue working in a subject matter, knowing full well that finally it would be recognized as a viable subject once again.
Whether you are a twelve-year-old princess or a twelve-year-old regular kid, you need to know you are loved and respected.
An intelligent, energetic, educated woman cannot be kept in four walls - even satin-lined, diamond-studded walls - without discovering sooner or later that they are still a prison cell.
For a girl, appearance can be a powerful form of oppression. No matter how intelligent a girl may be, no matter her many talents, these attributes are not easily discerned. Brains and talent will never stand up against a girl who is clearly physically attractive.
That the mere matter of a poem, for instance--its subject, its given incidents or situation; that the mere matter of a picture--the actual circumstances of an event, the actual topography of a landscape--should be nothing without the form, the spirit of the handling, that this form, this mode of handling, should become an end in itself, should penetrate every part of the matter;Mthis is what all art constantly strives after, and achieves in different degrees.
The Palestinian state is within our grasp. Soon the Palestinian flag will fly on the walls, the minarets and the cathedrals of Jerusalem.
Matter is capable of infinite subdivision...All matter is in a state of perpetual activity [motion], whether the substance under consideration be inanimate or animated, visible or invisible...There is no dividing of matter and force into two distinct terms, as they both are ONE. FORCE is liberated matter. MATTER is force in bondage.
Our nature is intelligent. In fact, everything is intelligent. Intelligence for me is information. Information is intelligence. And then there is information driven by energetics. And the energetics is operated by the matter, which has manifested here. This is where you and I come in. The human body is matter. Plant material, and this tea I am drinking, is matter.
To me, when you got a 20-year-old running back or 21-year-old receiver that's just coming out of college and you're out working these guys, age really don't matter. So it's easy for me to see what it is. People say it's all about age, but to me, it's mind over matter.
I always love it best when you have a project where there is this commingling of the subject matter and the way in which you're recording that subject matter.
Critic asks: 'And what, sir, is the subject matter of that painting?' - 'The subject matter, my dear good fellow, is the light.
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