A Quote by Margaret Thatcher

I too have a certain idea of America. Moreover, I would not feel entitled to say that of any other country, except my own. This is not just sentiment, though I always feel ten years younger – despite the jet-lag – when I set foot on American soil: there is something so positive, generous, and open about the people – and everything actually works. I also feel, though, that I have in a sense a share of America.
I always see America as really belonging to the Native Americans. Even though I'm American, I still feel like a visitor in my own country.
I would say a lot of people think I'm too serious at times, but actually I feel like I'm the opposite away from the camera and everything. I feel like I have a good time, but you rarely see pictures of me in the garage with a smile on my face, even though I am happy. I guess I just don't always show it.
I always tend to gravitate toward the idea of things being human: that this isolation I feel as an Asian American, even though it's real, other people have it too in their own way.
There's something with the physical size of America... American writers can write about America and it can still feel like a foreign country.
I don't claim to say, "All black women are like me," because they're not. One type of black woman can exist, but also another kind can exist. I also really hope that people feel permission to talk about their own troubles, but also to celebrate themselves. Sometimes I feel as though I'm trying to take a hit for the team so that other people then can move forward. I'm like, "Look, I just laid out all of my stuff, so what's the worst that can happen"?
I know where my heart is and I know that I can make people feel something with my music. I'm quite confident in what I am doing, so if I can also make a song that people want to put in ten times during a party and makes them happy, then I think that is also good. I feel that playfulness is something that has entered my life a lot more in the last couple of years. I'm not taking everything too seriously. I think that is something that comes with age - I hope. I feel that music is much more fun for me than it has ever been.
Because growing up as an Asian-American and growing up as someone who is not white, oftentimes in this country you can feel as though you're a foreigner, or you're reminded of being a foreigner, even though you're not. Even though inside, internally, you feel completely American.
Social media itself is not protest. To tweet is not to protest physically. To do a Facebook post, and though it's critical and crucial, is not to show up and embody the anger you feel, to embody the righteous outrage you feel, to embody the concern you feel. This is about putting feet to pavement and to register in the consciousness of America that this is something that's problematic.
I always loved horror as a kid. On the one hand, I really love monsters, because in a way I feel like I related to their outsider status and like the sentimental romantic plight of the monster. More importantly though I feel like people are completely motivated by fear, especially with our political system here in America which is just degenerating into more and more fear mongering and it gets in the way of real discourse, plus it's just something I'm obsessive about and have always been a little bit of a paranoid guy.
When you come back to a country that you've left, you're in a very peculiar situation because, in a way, you don't belong to that country any more, even though when I'm in America I feel I don't belong there either.
One can not be an American by going about saying that one is an American. It is necessary to feel America, like America, love America and then work.
My opponent misses something important. When we say America is exceptional, it doesn`t mean that people from other places don`t feel deep national pride, just like we do. It means that we recognize America`s unique and unparalleled ability to be a force for peace and progress.
I don't think bands should feel compelled to speak out unless they actually have something to say. I think that's a big mistake, where you're turning into a coyote running off the edge of a cliff. Too often, people just feel like something is happening and they want to be part of this thing, and it's just, there's sort of a "me too!" and that's about it.
I don't really read that much stuff about myself anyways, because I feel as though you then develop this mind-set of just making sure other people would approve of your decisions.
When I'm in the studio, when I'm warm, when I'm what people call improvising, I feel a very special connection. I feel the most right. I don't want to become too mystic about this, but things feel as though they're in the best order at that particular moment.
Now, I can't help but feel inferior. When I'm out in public in Afghanistan, I feel inferior because I'm doing everything I can to stay hidden, silent. I feel inferior because I am seeing firsthand the impact of America's foreign policy and can't help but feel like a living, breathing representation of that - despite my own personal views about that policy. It reinforces to me that I want to be part of the solution - and I want my work to be part of the solution - not part of the problem.
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