A Quote by Margarita Levieva

I had to dance in a Tweety Bird costume once. — © Margarita Levieva
I had to dance in a Tweety Bird costume once.
When I was a kid I had this funny blonde hair and everyone called me 'Chick' because I looked like Tweety Bird.
I don't, for the record, have a Tweety Bird fetish.
I'm not into superhero movies, but I love cartoons. Tweety bird is my favourite.
When I was younger, most people thought my lips looked like Tweety Bird's - there were always comments like that from family and neighbors.
The paradox of vengefulness is that it makes men dependent upon those who have harmed them, believing that their release from pain will come only when they make their tormentors suffer. In seeking the Bird's death to free himself, Louie had chained himself, once again, to his tyrant. During the war, the Bird had been unwilling to let go of Louie; after the war, Louie was unable to let go of the Bird.
I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit.
For the Indian,dance is a personal form of prayer. When the Eagle Dancer puts on his costume,when he begins to dance to the music,he doesn't simply perform it; he actually becomes the eagle itself. The dancer is virtually inseparable from the dance.
A long time ago, I had a bird that annoyed me, and the bird had to go. The bird's neck was snapped. I would also snap Conor McGregor's neck in a similar fashion.
I thawt I thaw a putty tat.” “I did, I did thee a putty tat" Finished with his Tweety Bird imitation, he grinned unpleasantly at me. “Now, then, luv, let’s get down to business
Spotting a rare bird is never worth the bite of a cur. Once bitten by a German shepherd, I knew that I preferred cats, even if they are bird-killers. Life is long enough for more than one chance at a rare bird.
In the '80s, there was a fixed costume of a heroine, and not the physical costume, but this is what a heroine is, she is an art prop. She will look beautiful, support the hero, dance, get saved by hero. I didn't ever aim to go there.
I enjoyed studying costume, learning about the corsetry and the historical context of fashion. I never had any real intention of being a costume designer.
I certainly love a boogie and once the music starts I'm usually one of the first out there on the dance floor. Although I haven't had any formal dance training and something tells me I'm really going to notice the difference.
Lady Dance's music wasn't a magic charm. I'd misunderstood. We had all failed to understand. The song and dance didn't stop us dying. It just stopped the fear of death swallowing us up while we were still alive. 'Rejoice,' came the soft voice of Lady Dance in my mind. 'Watch the moon and stars...' Death had ruled my life till I met Lady Dance. Her dance had set me free.
I have never been in, nor have I had any strong particular desire to be in, what is termed a costume drama, but I keep forgetting to think of 'Charles II' as a costume drama.
Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.
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