A Quote by Marguerite Yourcenar
A young musician plays scales in his room and only bores his family. A beginning writer, on the other hand, sometimes has the misfortune of getting into print.
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The ‘experimental’ writer, then, is simply following the story’s commands to the best of his human ability. The writer is not the story, the story is the story. See? Sometimes this is very hard to accept and sometimes too easy. On the one hand, there’s the writer who can’t face his fate: that the telling of a story has nothing at all to do with him; on the other hand, there’s the one who faces it too well: that the telling of the story has nothing at all to do with him
I played the vina until my heart turned into the same instrument. Then I offered this instrument to the Divine Musician, the only muscian existing. Since then I have become His flute, and when He chooses He plays His music. The people give me credit for this music which, in reality, is not due to me, but to the Musician who plays his own instrument.
War is all we've been taught, but there are other ways to live. We can find them, Akiva. We can invent them. This is the beginning, here." She touched his chest and felt a rush of love for the heart that moved his blood, for his smooth skin and his scars and his unsoldierly tenderness. She took his hand and pressed it to her breast and said, "We are the beginning.
In common with other artists the photographer wants his finished print to convey to others his own response to his subject. In the fulfillment of this aim, his greatest asset is the directness of the process he employs. But this advantage can only be retained if he simplifies his equipment and technic to the minimum necessary, and keeps his approach from from all formula, art-dogma, rules and taboos. Only then can he be free to put his photographic sight to use in discovering and revealing the nature of the world he lives in.
Capablanca plays very superficially sometimes, in a way that can only be ascribed to lack of concentration. This is an integral weakness of his make-up and can only be partially compensated by his employing his time allowance to the full.
The misfortune of a young man who returns to his native land after years away is that he finds his native land foreign; whereas the lands he left behind remain for ever like a mirage in his mind. However, misfortune can itself sow seeds of creativity. ---- Afterword to "Hothouse" Brian Aldiss
A young man is afraid of his demon and puts his hand over the demon's mouth sometimes and speaks for him. And the things the young man says are very rarely poetry.
Anyone who cannot come to terms with his life while he is alive needs one hand to ward off a little his despair over his fate... but with his other hand he can note down what he sees among the ruins.
You will be getting a haircut, won't you?" Halt ran his hand through his hair. It was getting a little long, he thought. I'll give it a trim," he said, his hand dropping unconciously to the hilt of his saxe knife. This time, Pauline did look up. You'll get a haircut," she said. Her gaze was steady and unwavering. I'll get a haircut," he agreed meekly.
If God bores you, tell Him that He bores you, that you prefer the vilest amusements to His presence, that you only feel at your ease when you are far from Him.
Give a moment or two to the angry young man with his foot in his mouth and his heart in his hand.
When we get to the point where a gay pro athlete is no longer forced to live in fear that he'll be shunned by teammates or outed by tabloids, when we get to the point where he plays while his significant other waits in the family room, when we get to the point where he's not compelled to hide his true self and is able to live an authentic life, then coming out won't be such a big deal. But we're not there yet.
Do not make the writer stand behind a podium. Anything but. A podium reeks of the lecture hall. A music stand, on the other hand, is nicely minimal and lends the writer - who usually needs all the help s/he can get - a musician's second-hand cool-factor.
The romantic idea is that everybody around a writer must suffer for his talent. I think a writer is a citizen of humanity, part of his nation, part of his family. He may have to make some compromises.
There is no such thing on earth as an uninteresting subject; the only thing that can exist is an uninterested person. Nothing is more keenly required than a defence of bores. When Byron divided humanity into the bores and bored, he omitted to notice that the higher qualities exist entirely in the bores, the lower qualities in the bored, among whom he counted himself. The bore, by his starry enthusiasm, his solemn happiness, may, in some sense, have proved himself poetical. The bored has certainly proved himself prosaic.
Leonard [Nimoy] was such a teacher for me. He was one of the most fully realized human beings I have ever known on every level - in his personal life with his personal relationships and his love for his wife and his evolution with his family. Then as an artist, as an actor, as a writer, as a poet, and as a photographer. He never stopped.
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