A Quote by Margot Kidder
I wandered around not knowing what I was doing in The Great Waldo Pepper and feeling pretty lost, and they rightly cut my part down. I don't think I was in very good emotional shape. I think I was a bit of a mess. I'd done about six movies back-to-back, and was in a state of complete exhaustion.
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When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.
My body's feeling it a little bit. But one good thing, my back is in good shape, and that's my main concern. I know that my legs are going to take awhile to get back to where I was a few years ago, but as long as my back is solid, I feel that I can play many years.
To me, it's about being smart, knowing when to go down and if you're on the sidelines knowing when to go out of bounds, and I think I do a pretty good job of doing that.
I hate being called lazy, so when everybody gets up at half seven in the morning, I'm up at the same time. Everyone goes to work and I'll do a few hours of writing, then I'll mess about for a bit and come back to it. By the time I go home I'm done. I think it's really good to keep that kind of a routine with writing. I find that when I don't do that, it's really hard to get back into that headspace of writing.
I've always been a bit of a lost soul, and I think that goes back to me being adopted and not knowing my roots.
I think I have been very conscious throughout my career. I can't go back and remember every line of every ad I have done, but I think in the most part I have been pretty conscious that we are not making a wrong claim. I am pretty confident with everything I do.
I think there was a bit of brotherly love, but I think everything has a motive when you're king. It's all about maintaining that power - securing that power - and I think Edward was very skillful at doing that. I think he was a great king. Opinions are split, if you look at what he's done and written about him.
I think success is about purpose. People ask about success at different points in your life. As I look back, I think people that are successful feel good about what they are doing, and they can look back at what they've done and they feel good about it. People sometimes ask about success and they say, "What's your legacy?" and I say, "I think it's really a dumb question." I think the question is: What am I doing now? Do I feel good about myself? Am I proud of myself? Whatever purpose there is in life, I think success is about purpose. It's not about material things.
It's good to go back and look at what other states are doing. For example, Mayo Clinics and the University of Minnesota had a collaborative grant program that we modeled our program after, so we went back to talk to them about the successes of their program. It's been very successful, the state is going back to fund it again, and it's resulted in a great deal of collaboration and specifically patented technology.
Part of why I wanted to produce was because I wanted the opportunity to work on projects I want to see. As a writer and as a director, I'm very specific about the kinds of things that I want to do. The opportunity that producing has given me is that by working with different writers and trying to get their movies made, or developing their script, or making their movies, every time I'm doing it, I'm learning and then bringing something to my own work. I like to think that there's a little bit of back and forth that goes on.
I didn't get my hair cut for two movies, and it got a little long. I'm going back to a... not a crew cut. Back to, oh, about a Presbyterian length.
Mostly, in The Great Waldo Pepper I remember the lovely Ed Herrmann befriending me and taking care of me. I was crying a lot. I was a real mess when we made that. But this is all such ancient history, Jesus Lord. Was this before or after The Sting?
I think the emotion that song carries makes it good. Because you have to produce around something - an emotional attachment and a feeling. The melody itself has a feeling in it. The keys, the tones, frequency, sonics, all of those have feelings in it. Like, it's the ghost within, the music itself. That's what makes the song even have a possibility of being great. The emotional connection. Because if you don't have that, I don't think you really have a song.
I think violence, cynicism, brutality and fashion are the staples of our diet. I think in the grand history of story-telling, going back to people sitting around fires, the dark side of human nature has always been very important. Movies are part of that tradition.
I think that what we do out on the field is oftentimes a little bit better than what men do. I don't think that we flop around as much. I think we're tough. I mean, I've got battle wounds on my legs from the turf and sliding. And we're gritty. And we're feisty. And I think that I would never back down from a guy.
You can't manufacture the feeling of being in a small crowd and connecting on every single level to the very last person in the very last row in the back. I think when you evolve into a headlining act and things get bigger, the intimacy and some of that energy gets lost a little bit.
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