A Quote by Margery Allingham

A great deal has been written about the forthrightness of the moderns shocking the Victorians, but there is no shock like the one which the forthrightness of the Victorians can give a modern.
Sex has become one of the most discussed subjects of modern times. The Victorians pretended it did not exist; the moderns pretend nothing else exists.
The making of miracles to edification was as ardently admired by pious Victorians as it was sternly discouraged by Jesus of Nazareth. Not that the Victorians were unique in this respect. Modern writers also indulge in edifying miracles though they generally prefer to use them to procure unhappy endings, by which piece of thaumaturgy they win the title of realists.
The core character of Victorians is one of aspiration and ambition, and Victorians have, since first settlement days... demonstrated that core character over and over again.
I speak my heart out. My outspokenness and forthrightness won hearts.
What a story is, is devious. It pretends transparency, forthrightness. It engages with ordinary people, ordinary matters, recognizable stuff. But this is all a masquerade. What good stories deal with is the horror and incomprehensibility of time, the dark encroachment of old catastrophes...
The Victorians, they were like the Germans in World War II. They could not stop recording details about their lives and their age.
'The Victorians' show is like no TV I've done.
The Victorians pioneered numbers of commercial rackets about which their descendants complain (the manufacturers of Bovril, it appears, were virtually official sponsors of the Boer War).
At first critics classified authors as Ancients, that is to say, Greek and Latin authors, and Moderns, that is to say, every post-Classical Author. Then they classified them by eras, the Augustans, the Victorians, etc., and now they classify them by decades, the writers of the '30's, '40's, etc. Very soon, it seems, they will be labeling authors, like automobiles, by the year.
I am obsessed with the Great Depression and with former showgirls - and the Victorians - the idea of wistful, dark romance.
The Victorians had not been anxious to go away for the weekend. The Edwardians, on the contrary, were nomadic.
Dickens is a much misunderstood and mis-approached writer, in that he tends to be read, particularly in the twentieth century, as a social commentator - like the great Victorians, a realist in his way. But he isn't at all like that. His genre is actually more like a fairy tale - weird transformations, long voyages from which people come back altered, parental mysteries, semi-magical twists.
The Victorians needed parody. Without it their literature would have been a rank and weedy growth, over-watered with tears.
I love the idea of exploring the Victorian imagination and what Victorians thought the world of fantasy would look like.
The Victorians were great engineers. They engineered a [schooling] system that was so robust that it's still with us today, continuously producing identical people for a machine that no longer exists.
Books written out of fire give me a great deal of pleasure. You get the sense that the world for these writers could not have continued if the book hadn't been written. When you come across a book like that it is a privilege.
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