A Quote by Marjorie Liu

When I first came to comics, it was, like, dudes. The feeling, the air, the presence is overwhelmingly male. — © Marjorie Liu
When I first came to comics, it was, like, dudes. The feeling, the air, the presence is overwhelmingly male.
The first director who ever allowed me to shoot a film for him was a male. He was a gay male. My first feature also came from him. I worked for a lot of dudes at NYU.
I tend to bristle at people praising alt comics as some kind of perfect comics paradigm, because there's quite a lot of misogyny in its history as well. Like, in my first comics class, every single great comic creator we studied was male.
We came from where people don't look like they have money anyway. We came up in an era where the dudes who had all of the money looked regular, the same way you see billionaires in some run down shoes or old jeans. You see how Warren Buffett, Bill Gates and those dudes dress. Even in our era, the dudes with the money weren't flashy.
The good part of what comics trains you to do is it trains you - especially if you've worked in mainstream comics like Marvel and DC, or if you're just doing your own independent comics - to compartmentalize things and work on multiple things at the same time. And that's a skill that is incredibly handy in Hollywood, because within the first year that you get here, you realize there's a reason why every successful person in Hollywood has like seven or eight projects up in the air at any point.
I ended up moving downtown with these three dudes that I didn't really know. I came into the house, and I didn't realize how things worked. From, like, 15-18, I was just fighting them. I fought, like, every day, and these were, like, older dudes. It was every man for himself.
My interest in the comic goes back a long time, because I grew up reading comics, mostly Marvel Comics, and I always loved 'Doctor Strange' uniquely. It was the presence of the fantastical, the presence of the supernatural that was in it. The idea of magic.
Roxanne Shanté was kind of the first female to really come out and get respected by dudes, because she went at dudes real hard and battled them and freestyled a lot, and really came off the head a lot.
When I was a kid, back in the '40s, I was a voracious comic book reader. And at that time, there was a lot of patriotism in the comics. They were called things like 'All-American Comics' or 'Star-Spangled Comics' or things like that. I decided to do a logo that was a parody of those comics, with 'American' as the first word.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers, so any way people read comics is fine with me. Digital is just helping people who might not necessarily have access to comics help them; that's great.
There are 10-20 times more male comics than female comics; it's something to do with the social structure of society.
There's tons of dudes - like David O'Doherty, Tim Key, and Alex Horne - I made a lot of friends with people who are really incredible comics.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers.
I'm a romantic and will only marry for love where there's respect and compatibility. I'd like to be with someone if the right person came along. I really like male company. I like the male mind.
When I won the first Grammy, there was no other feeling like that feeling. It just made me feel like I came so far, like that was just a dream a few years before that, and then it was happening right then.
I don't like 'graphic novel.' It's a word that publishers created for the bourgeois to read comics without feeling bad. Comics is just a way of narrating - it's just a media type.
The first breath of autumn was in the air, a prodigal feeling, a feeling of wanting, taking, and keeping before it is too late.
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