A Quote by Marina Abramovic

Artists should never think of themselves as an idol. Fame is a side effect of one's work. — © Marina Abramovic
Artists should never think of themselves as an idol. Fame is a side effect of one's work.
I think artists should define themselves. They should speak about their work and how it relates to society and what's going on in the world.
Fame is an apparition. Fame is a side effect of success.
My father is my best friend. He's my idol and my boss. We work side by side and spend every weekend together.
Artists should agitate and democratize their own work, but they should also work to democratize the arts themselves.
The thing about fame is, you want it your whole life, but no matter how bright you are, no one ever asks themselves why they want fame. You never really know what it is until you have it. You can never tangibly feel your own fame.
I do think that an understanding of contemporary work in the cognitive sciences has a profound effect on how one views the workings of the mind. It doesn't work the way we pretheoretically think it does. Such an understanding, of course, should have a large effect on one's views in philosophy of mind, but also in epistemology.
The business side of film has goofed up so many things, but even that's changing. It happened to the music industry and now it's happening to the film studios. It's crazy what's going on. But artists should have control of their work; especially if, as I always say, you never turn down a good idea and never take a bad idea.
The 'American Idol' and 'X Factor' shows, they're great shows. But I think I need to make a show like that, directed straight to the hood, to the artists that don't get the attention, that don't have the money to make themselves representable.
Vulnerability of artists is definitely what makes organizations like PEN necessary because, as I tried to argue, the actual work that writers and artists do has an ornery way of surviving. Particularly in this age of the internet, it is very easy for forbidden work to be found online somewhere if you know where to look. Artists themselves, however, are in increasing danger, and not just artists. The great concern is that year after year, rising numbers of journalists are being killed in pursuit of their work.
I guess I never took my fame as a teen idol too seriously.
I think there are a lot of writers who would never have an opportunity to make their work. Some presses rely heavily on the NEA. Translators cannot support themselves on translating. It would be isolating artistically. It would diminish experimental output. It would have a homogenizing effect on the work that was made.
Think about it. For the sake of fame, men will risk great dangers. They put themselves in the jaws of death more than for their children. For fame, they will spend their money like water and work their fingers to the bone. Have you not observed this in your own home?
You have to forget you are playing against your idol, because the guy on the other side also wants to play better than you and beat you. I don't think you should allow yourself to think like this when you go against any player.
Artists don't compare themselves to each other based on money. Nobody really knows what money other artists have. They don't care that much. The measure is the work and how you think your work is perceived. How the museums are. How you are doing.
Artists are able to do well in the political arena because of fame, if only they can educate themselves.
Artists should always think of themselves as cosmic instruments for storytelling.
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