A Quote by Mario Sorrenti
I guess my work is described a lot of the time as very sensual and sexy. When I take a picture, I'm very focused on trying to discover something about a person. Or about an idea. I try to be quite successful at it.
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That's the great thing about Apple: it's very focused on the things that we know how to do very well and not try to extend ourselves to areas that we know very little about or don't have a lot of expertise in.
I'm one of these very focused people when it comes to day-to-day work, and I'm trying not to think about what comes next so that I can stay very focused on what I'm doing now.
I guess artists are living inspiration. There's something very pure about a person that fantasizes. I like hearing their stories, watching them work. Their take on the world interests me. It's not unified.
I try to present something that is full of time. Not timeless, but full of time. I never like a work where we try to update it, but it's still not interesting to see a work that is dated. If one is successful, then a work can be full of time. And time is very complex.
I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.
If we can continue to come together and work on small things little by little, at least it's something. It's a start. At least now there's a lot more talk about climate change and the Earth's state than when I was a kid. I guess it's better late than never? But it's also very tricky because this is something that's so important to so many of us, and a lot of people don't see it that way. But hopefully, we can get all our points across to them - one by one, one person at a time.
I think a lot about writing and I try to read a lot. Being a musician, I don't take the words lightly; they are very, very important to me. At the same time, the words have to be musical and have to fit.
It's a very scary time for a lot of people; they feel scared to speak up. There's so much controversy even speaking up about politics to begin with. People try to discredit you at every single corner, especially if you're a woman. So it's hard as an artist to really speak up about this kind of stuff when you're trying to be successful and have a career.
I'm a girl, so every day I have a different opinion about or a different feeling about something that inspires me, but I think the thing that's driven me is I'll take a look at successful people and just try and see what their path was and follow that with my own twist, obviously. I guess I'm inspired by other people who are successful.
I'm very much in favor of focused responsibility, and so in the main areas that I'm worried about, I try to have a single person who is basically the key person in that area.
She looks at herself in the mirror. The idea is to look sexy again. And for whom exactly? Yourself, of course. Yes, well, that's all wonderfully self-affirming and very strong-minded as any decent woman should be these days, but let's just face facts here and say that when a woman - no, when a person is thinking about feeling sexy, it is always with the idea of someone else in mind.
I was interested in the idea of celebrity... some very untalented people getting very successful and making a lot of money for not a lot of work, sometimes.
A highly successful person is very focused on what they want to be doing. The weekend and the week look very similar: They are focused on creating the life they want.
I would hate to think I'm promoting sadness as an aesthetic. But I grew up in not just a family but a town and a culture where sadness is something you're taught to feel shame about. You end up chronically desiring what can be a very sentimental idea of love and connection. A lot of my work has been about trying to make a space for sadness.
You think about the legacy that you leave behind, and I've been very fortunate to be part of a very successful team, but I think the fight for equal pay and respect is something that goes beyond the field. I think it is very important, something that I'm very willing to take on to help the generations that come behind me.
I hesitate talking about a program for change because we're in this moment where no one is listening to sex workers about how things should change. So I'm even speaking less as a former sex worker and more as a person trying to see the bigger picture that might be hard to see when you're doing sex work full-time, or running a social service organization, or doing all the things that a lot of sex worker activists are doing. It's hard work, and they don't necessarily get the time to step back and see the whole picture.
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