A Quote by Mario Sorrenti
I got into photography because of the immediacy of the medium. I used to sit in front of a canvas for weeks trying to create something. Now I can see the image right away.
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People are constantly trying to make an image for you. They`ll dress you up and tell you to pose a certain way and take all these pictures... they want a certain image, so they create that. And unless you`re spending a lot of time to create another image to counteract that image, theirs will win. So right now, I`m kind of dealing with a lot of false ideas of what I`m about.
Now that photography is a digital medium, the ghost of painting is coming to haunt it: photography no longer retains a sense of truth. I think that's great, because it frees photography from factuality, the same way photography freed painting from factuality in the mid-nineteenth century.
Humans have changed the landscape so much, but images of the sea could be shared with primordial people. I just project my imagination on to the viewer, even the first human being. I think first and then imagine some scenes. Then I go out and look for them. Or I re-create these images with my camera. I love photography because photography is the most believable medium. Painting can lie, but photography never lies: that is what people used to believe.
And you can't get away from a mirror if you stand in front of it all the time, right. But if you step away from it, you don't notice it any more. And that's what the stage is like for me. See, an image becomes meaningless in as much as it's always temporary.
I think TV is a fantastic medium right now because of what you can do visually. It's phenomenal, and it's just getting better and better, but in a way, there's no beating the personal image you can create in your head, with those personal aspects, which you can only get from reading or radio dramas.
We can sit and worry about what's going to happen to us two weeks from now. I'd rather focus on the amazing things happening right in front of us.
I believe we create our own lives. And we create it by our thinking, feeling patterns in our belief system. I think we're all born with this huge canvas in front of us and the paintbrushes and the paint, and we choose what to put on this canvas.
I'm at like 325 pairs right now, give or take. But I've given away about 200 pairs of sneakers. I'm not as big of a collector as I used to be, because I think the game just got weird. Everybody likes to collect now, so it's kind of corny. But I got the essentials.
When I was in art college, I would be painting, and I would create something on a canvas that was actually quite attractive. But if I got frightened and tried to protect that, that canvas would die.
I believe there is no more creative medium than photography to recreate the living world of our time. Photography gladly accepts the challenge because it is at home in its element: namely, realism - real life - the now.
Photography speaks a universal language that does not need translation, and with an immediacy that the written word lacks. It freezes a moment in time, leaving an indelible image.
We used hand-held cameras 50 years ago. It wasn't something new. Sometimes we used a tripod, or we'd have a tracking shot, and sometimes - like when a character was being chased - we used a hand-held camera because it was right for the scene. In those cases, it helped the mood; it created immediacy and a feeling for the viewer that they were in the scene and in the moment.
They used us as an excuse to go mad and then blamed it on us. Gandhi says create and preserve the image of your choice. The image of my choice is not Beatle George - those who want that can go and see Wings. Why live in the past? Be here now.
No individual photo explains anything. That's what makes photography such a wonderful and problematic medium. It is the photographer's job to get this medium to say what you need it to say. Because photography has a certain verisimilitude, it has gained a currency as truthful - but photographs have always been convincing lies.
The history of photography needs clearing out. It needs something else now. Because photography always acknowledged there were cameras before photography.
A sincere artist is not one who makes a faithful attempt to put on to canvas what is in front of him, but one who tries to create something which is, in itself, a living thing.
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