A Quote by Mario Testino
Most photographers go and photograph something that they see, that exists, and that somebody else has created - they document it. But fashion photographers have to create what they're going to photograph. We have to go into the thought and build it up, get a girl, get a guy, get a situation, get the house, get the decor. It's the meaning of the word photography: "writing with light."
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We think that life is about get the girl, get the guy, get the car, get the job, get the house, get the kids, get the better job, get the better car, get the better house, get the promotion, get the office in the corner, get the kids on their way, get the grandkids, get the retirement watch, get the cruise tickets, get the illness, and get the heck out. That's it. That's a good life. But life has nothing to do with any of that. That is not our purpose in living. That is not the Agenda of the Soul.
Photographers who come up with power never get accused of imitating anyone else even though they photograph the same broom, same street, same portraits.
The word "photography" can be interpreted as "writing with light" or "drawing with light." Some photographers are producing beautiful photographs by drawing with light.. Some other photographers are trying to tell something with their photographs. They are writing with light.
I don't even know what an 'It' girl is. As far as I'm concerned, an 'It' girl is somebody who doesn't do anything except go to parties and get her photograph taken.
Being a celebrity you always get really good seats to sporting events but you never get as good seats as the photographers get. And I really love sports. So one of the scams I have going now is I want to learn sports photography so I can get better seats at a sporting event.
I never felt in competition with anybody in war photography. You're lucky to get your ass in and out again. It's as simple as that. It's the easiest photography in the world to shoot somebody who's been shot up. It doesn't take a genius. That's easy. The only thing you need to know is your photography. Get in and if you're lucky get out. And get as close as you can get.
I do a bit called, 'You go, girl!' where I say, 'Don't tell me 'You go, girl!' I get it. I don't need you encourage me.' And nine times out of 10 after I finish the bit, some guy in the back will yell 'You go, girl!' I get a lot of that or 'I hear ya!' I don't generally - knock on fake wood - get mean heckling.
There's people outside our house; you get followed by photographers; you can't go out and have a cup of coffee with a friend without someone coming up to you.
Anyone who buys a ticket can just go in there, and I don't like everyone, so I always see concerts as like, I'm going to get punched, I'm going to get elbowed, I'm going to get stepped on, get spilled on, someone's going to hit me with their body odor or something.
I approached photography the only way that I knew how to approach anything: as a job. I would get up, photograph all morning, stop and have lunch, and then, photograph all afternoon. I didn't think that I had to wait for some inspiration.
Photographers tend not to photograph what they can’t see, which is the very reason one should try to attempt it. Otherwise we’re going to go on forever just photographing more faces and more rooms and more places. Photography has to transcend description. It has to go beyond description to bring insight into the subject, or reveal the subject, not as it looks, but how does it feel?
I always thought Woody Harrelson is quite a persuasive guy. He's the kind of guy who can call you up in the middle of the night and tell you, 'Let's all go get a donut!' And you're thinking, 'It's the middle of the night,' but somehow you still get up and go get a donut.
We get all excited about collaborations. You get excited to hear that Rihanna has something, because Rihanna is a singer, and she has amazing fashion. You want to see what she would create. I don't get upset and think, 'Someone else is going to do better than me.' You're like, 'Oh, good for her.'
Writing is like everything else: the more you do it the better you get. Don't try to perfect as you go along, just get to the end of the damn thing. Accept imperfections. Get it finished and then you can go back. If you try to polish every sentence there's a chance you'll never get past the first chapter.
At the end of the day, it's only a photograph and if someone is going to get really upset about a photograph, then they have a lot of issues. I just roll with it and see what happens.
The men who go out the scientists who go out, they have so much fun on the way that when they get there well it's done. So they're looking for another thing. You see the objective may remain the same - the search - but you must get lost on the way, get stupid to my mind, this is what you do in theatre; a team of people go out to look for something, they find, maybe, something else.
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