A Quote by Marion Woodman

The connection between conscious and unconscious poses particular problems in the dancer because the body is the soul of action. — © Marion Woodman
The connection between conscious and unconscious poses particular problems in the dancer because the body is the soul of action.
A good athlete can enter a state of body-awareness in which the right stroke or the right movement happens by itself, effortlessly, without any interference of the conscious will. This is a paradigm for non-action: the purest and most effective form of action. The game plays the game; the poem writes the poem; we can't tell the dancer from the dance. It happens when we trust the intelligence of the universe in the same way that an athlete or a dancer trusts the superior intelligence of the body.
Abstract art is a creative interplay between the conscious and the unconscious, with the conscious mind making all the final decisions and in control throughout.
It's a complex thing when you're writing a novel, because so much of it is conscious and planned and deliberate, and so much of it is not, and it has to be a dance between the conscious and the unconscious. I bring my best instincts to my work. For instance - and I come by this naturally, or I think I do - I am a very good judge of character.
Psychoanalysis pretends to investigate the Unconscious. The Unconscious by definition is what you are not conscious of. But the Analysts already know what's in it - they should, because they put it all in beforehand.
The dancer of the future will be one whose body & soul have grown so harmoniously together that the natural language of the soul will have become the movement of the body.
The philosopher's soul dwells in his head, the poet's soul is in his heart; the singer's soul lingers about his throat, but the soul of the dancer abides in all her body.
What I found interesting in dance is the idea that my work has always been dealing with the nervousness between the human subject as a subject and the human subject as a form. And if you look at my dance films, there are always these cuts between the dancer as a form, the dancer as a subject, and this kind of very harsh treatment of the dancer as someone who's actually drawing with their body.
The dancer's body is simply the luminous manifestation of her soul...This is the truly creative dancer, natural but not imitative, speaking in movement out of herself and out of something greater than all selves.
No organism can afford to be conscious of matters with which it could deal at unconscious levels. Broadly, we can afford to sink those sorts of knowledge which continue to be true regardless of changes in the environment, but we must maintain in an accessible place all those controls of behavior which must be modified for every instance. The economics of the system, in fact, pushes organisms toward sinking into the unconscious those generalities of relationship which remain permanently true and toward keeping within the conscious the pragmatic of particular instances.
The connection between art and Christ is like the connection between sunlight and the sun. It is, in fact, the connection between Sonlight and the Son.
Whether it's dance or action, what's important is hand and body co-ordination. When you are a good dancer then automatically while performing action, the co-ordination is that much easier.
Consciousness poses the most baffling problems in the science of the mind. There is nothing that we know more intimately than conscious experience, but there is nothing that is harder to explain.
Your soul has a special mission. Your soul is supremely conscious of it. Maya, illusion or forgetfulness, makes you feel that you are finite, weak and helpless. This is not true. You are not the body. You are not the senses. You are not the mind. These are all limited. You are the soul, which is unlimited. Your soul is infinitely powerful. Your soul defies all time and space.
Our life is composed greatly from dreams, from the unconscious, and they must be brought into connection with action. They must be woven together.
Every day-care center, whether it knows it or not, is a school. The choice is never between custodial care and education. The choice is between unplanned and planned education, between conscious and unconscious education, between bad education and good education.
The dancer's body is simply the luminous manifestation of the soul.
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