A Quote by Marion Cotillard

I'm so lucky to have the opportunity to work with some directors and some actors I wouldn't have dared to think I would work with one day. — © Marion Cotillard
I'm so lucky to have the opportunity to work with some directors and some actors I wouldn't have dared to think I would work with one day.
Im so lucky to have the opportunity to work with some directors and some actors I wouldnt have dared to think I would work with one day.
As actors, we have the opportunity to work with many directors. Directors only work with themselves and other actors. They never know what it is like to work with another director. So that relationship that one has with a director is entirely always the king.
With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.
I've been lucky in my career. I've worked with some of the greatest filmmakers and actors around. I'm so proud of some of my work.
It's not so important to me where I work. A lot of good writers and directors and actors come out of Hollywood, so obviously it would be great to work there, but there's some great stuff coming out of Britain, so I'm going to see what comes from all angles.
I've never seen anyone - and I've had the opportunity to work with some really terrific actors in my time - but Philip Seymour Hoffman is definitely the best I ever had the opportunity to work with.
I think that some of the writing, directing, and the content is better than a lot of movies sometimes. Actors, well artists in general - actors, writers, directors - what we all care about the most is good work and being able to create something that is really resonant and meaningful.
The only thing that does change, to some degree, is [that] you have some life experiences, you suffer a certain amount and you incorporate that into your work. Not in the content of your work, but in the sensibility of your work. It's nothing that you try and do; it just happens. And if you're lucky, people buy tickets to see it, and if you're not lucky, [then] they don't like it. But that's all.
I think there are a lot of writers who would never have an opportunity to make their work. Some presses rely heavily on the NEA. Translators cannot support themselves on translating. It would be isolating artistically. It would diminish experimental output. It would have a homogenizing effect on the work that was made.
Acting is always more fun for me.I love being a part of a story, I love collaborating, I love working with different directors. If I just directed more and more, it would lessen the opportunity to work with all these big directors that I've had the opportunity to work with.
When I first started reading about the kabbalists, I would hear about them being seen in strange places. It would turn out that they were doing some kind of spiritual work to elevate the sparks. In my life and career, I've had the opportunity to find myself where I could make some spiritual moves, to do some work that is spiritually important.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
I've been very lucky because I've gotten to work with some incredible actors.
I guess I don't really measure myself by what others think. So even though I have gotten to work with some amazing directors, and you might perceive me to be that girl, that isn't how I see myself. So if one day nobody wants to work with me, it won't be this massive surprise.
Also, to get to work with serious filmmakers on this kind of a movie, has elevated these movies. We were so lucky, as actors, that the crew of directors that we've gotten to work with are totally really super high-end filmmakers. But, Bill Condon had a vision and it was so specific. He's really passionate. I think he's taken the story to another level.
Some directors are open to ideas, and some are rigid. And, some actors are into method acting, and some, instinctive.
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