A Quote by Maria Brink

When you write music that you are very passionate about, being able to bring the visual aspect of it alive with the music is what ties everything together. — © Maria Brink
When you write music that you are very passionate about, being able to bring the visual aspect of it alive with the music is what ties everything together.
The whole appeal of dance music is being liberated because music is liberating and it's not about club culture or the social aspect of playing the mating game or whatever you're doing at a club. It's more about the euphoric aspect of listening to music.
Music is monophonic in the Eastern world, especially if we're talking about Indian music, Persian music. What we have in classical and Western world is harmony. So I think it's a great idea to be able to bring the best of two together and create something new.
Everything I do is very visual and very aural, so I don't read music, and I draw as much as I write out lyrics.
I began composing works which were imitative of the music I was being told about. I was also very interested in translating the music into visual terms.
Sometimes when I write lyrics there are images in them, usually on a quite simplistic level, like colors. But most often music comes first and then later I sit down with visual people and we chat about what we want to do. I don't look at myself as a visual artist. I make music.
One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.
There are a lot of options when it comes between music and acting. For me, because I'm so passionate about my music career, you have to be extremely passionate when you have opportunities like films and real money actually coming to you compared to with music.
When I listen to music, there's usually some aspect of that music that I like, and that's what I take and try to bring into my own music. Bringing in other musicians to collaborate with is a good way for me to test out new ways or make music that I might have not discovered on my own.
I loved this idea of always being a foreigner. There's this thing where people bring cultures, bring the music together. I love it when the music, when the cultures collide and something sort of new comes out of it.
I have had very little interest in being an icon or visual representation for my music. I like playing music with my bandmates and I have more and more fun onstage these days, but the part where you're supposed to be a salesman for your music is pretty unappealing to me.
I am a musician who stopped working with music. Now I work with visual music, or audio-visual music.
Teenagers are passionate and they want music that speaks within their hearts. It's a big deal for students to listen to Christian music and talk about it at school. Music is a very exciting element of your life when you're love. I think it's huge.
There's a variety and depth to the song topics I get to write about in children's music and books: being able to write about things I wouldn't normally write about, like a disappointing pancake, or monsters or opposite day is really different than writing about heartbreak and relationships.
Music was a big part of my upbringing. My mum and my grandma are very passionate about music.
I'm very much into the Gypsy Kings. It's rumba and very festive, very passionate music, rhythmic guitar, passionate singing about love from happy people.
Whether it be tour posters, album packaging, videos, stage design, etc., the visual aspect of music is very important to us.
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