A Quote by Maria Menounos

We had four different sets and built 38 flats to use as walls, so we had a major production going on. It's so much fun when you're controlling it, but it's also so much pressure.
Signing to a major, there weren't many bands from our sphere that were doing it. I mean, obviously R.E.M. had done it, and Husker Du and the Replacements had done it, and maybe Soul Asylum, but that was probably about it. Those four bands were pretty much the only ones from that milieu that had signed to a major.
All the 'Hunger Games' stuff, we had a fantastic production designer, and he built amazing sets.
My dad was a theater major, and he's acted, and he's done so much television and radio and film, and seeing how much fun he had doing that totally made me want to try.
After about 20 years of the real estate industry - where we had built it up from a little one-off, just five-agent operation - we built that that into a four-office, 65-agent, multimillion-dollar firm. At that point, I relocated to my ranch in eastern Montana and really thought that I was going to spend much of my time in ranching.
Excalibur' was a quest for my father. I remember it was manic on the film set. And we had these massive castle sets. I think my dad was under tremendous pressure making the movie because there was so much going on. I remember it was a hard one to make - a lot of stress and strain.
I definitely regret the surgeries that I have had over the years, I think I was so young and in such an unstable situation in my life with so much going on and so much pressure.
I grew up on film sets and I had a ball. It wouldn't have had nearly as much fun if my dad had been working behind a desk somewhere. I remember being on the set of 'The Godfather: Part III,' and all the kids were running around and doing crazy things, and Francis Ford Coppola just embraced that.
I never thought I had more fun when I was young than kids are having today. I think they have just as much fun. It's a different way to have fun.
All the technology of our production was still pre-War. They were sort of '38, '39 and the War had been stable and so we were infinitely behind whatever had been going on in the United States for instance.
Baseball in the Navy always was much more fun than it had been in the major leagues.
When I was on the '70s Show,' I had that and I had 'Punk'd' and I had my own production company. That pretty much sealed up all my time.
There's no doubt about it: fun people are fun. But I finally learned that there is something more important, in the people you know, than whether they are fun. Thinking about those friends who had given me so much pleasure but who had also caused me so much pain, thinking about that bright, cruel world to which they'd introduced me, I saw that there's a better way to value people. Not as fun or not fun, or stylish or not stylish, but as warm or cold, generous or selfish. People who think about others and people who don't. People who know how to listen, and people who only know how to talk.
I wrote poetry, journals, and, especially, plays for the neighborhood kids to perform. I had an ordinary, happy childhood. Nothing much was going on, but I had fun.
Even though they use stunt doubles, I learn the whole thing, in case maybe they put me in. I'm enjoying it so much. It's so fun, with explosions and shooting. It's cool. I'm 38, but it's like being a child.
People are always telling me how much they loved 'Empire Records.' We had so much fun making that movie. I was so young - 16 or 17. I still had a tutor!
By the time I got writing 'Halcyon,' I was on a roll, and I realized I had so much to write about, I realized I had so much built up inside that I couldn't really alleviate before, and then all of a sudden it was like reservoir burst.
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