A Quote by Maria Semple
Being in writers' rooms turns you feral. You are swearing, you are going to very dark, mean places. You start out in the room with all these smart people, and you're all well-read and well-educated and the humor is really erudite. And then over the course of the year, after the production schedule grinds you down, it is just so mean and stupid.
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Writers don't want to appear to be stupid. I don't know - maybe people become writers so that they can prove that they're not. Of course getting a book published doesn't mean that they're not stupid. At a certain point you have to stop trying to prove something and write because you need to think about something and want to communicate, in a very broad sense.
Let's take Pravda in the 1980s. I mean you could have read things in Pravda saying that it was a stupid error to invade Afghanistan: "it was a dumb thing to do, we have to get out, it's costing us too much." I mean that U.S. analog of that would be "extreme liberalism," and it has been pretty well studied.
As a technologist, I see the trends, and I see that automation inevitably is going to mean fewer and fewer jobs. And if we do not find a way to provide a basic income for people who have no work, or no meaningful work, we’re going to have social unrest that could get people killed. When we have increasing production - year after year after year - some of that needs to be reinvested in society.
But I like the small places myself. I mean, you know you can really feel it, and for me the music just goes really well in the smaller places.
I have always tried to teach my players to be fighters. When I say that, I don't mean put up your dukes and get in a fistfight over something. I'm talking about facing adversity in your life. There is not a person alive who isn't going to have some awfully bad days in their lives. I tell my players that what I mean by fighting is when your house burns down, and your wife runs off with the drummer, and you've lost your job and all the odds are against you. What are you going to do? Most people just lay down and quit. Well, I want my people to fight back.
I've been starting in new places year after year after year. It's just like when I went to Greece or the Philippines. I love when people think I'm a new artist. It's a chance to start over.
It wouldn't be a Carrie Underwood album without a revenge song on it. People really like when I do that. I don't mean to. I don't hate men that much. But it turns out so well!
People are not doing well financially. I mean, wages are down from 2000. They're down from 2007. 2000 - down. Not going - they're below what they were in 2000. People are hurting. Things aren't going well for them.
Making Superman was so hard. We were a year over schedule. We were there a year and a half, the first time. And in a year and a half, you go through everything you go through in a life. So you can't really go, "Oh, it must have been fun to work with Chris Reeve." In a year and a half, you bonded like a family, so you know someone far too well to think something as simplistic as "Oh, it's just fun." You know their secrets. I mean, it was everything. It was truly - it's a cliché to say we were family, but we really were.
Just because you’ve only been alive for fifteen years doesn’t mean you’re less anything except old. That’s all it means. It doesn’t mean you’re less experienced. It doesn’t mean you’re less intelligent. It doesn’t mean you’re less sensitive. It doesn’t mean you take things less seriously. It’s like, these are younger human beings, meaning don’t, because they’re only ten, start thinking that they don’t know what you’re talking about -because they do. Don’t leave people out in the cold, and don’t talk down to people -don’t. It never works out.
I didn't mean to live in Portland. It was kind of an accident - I mean, the equivalent of my car breaking down there and me being like, 'Well... I guess this is what I'm doing. I just can't find a better alternate.'
You should climb around inside my brain, Dan. It's like this dark room surrounded by quicksand." "I know what you mean," her brother said quietly. "I hate being in my brain sometimes. I have to get out." "What do you do?" Amy asked. Dan shrugged "I go to other places. My toes. My shoulders. But mostly here." He tapped his chest and immediately reddened. "I know. It's stupid." "Not really," Amy said. "I wish I could do that, too.
I really need to know where I'm going with fiction to write it in a way that at least I'm happy with. And I really think that a lot of fiction books end badly because terrific writers said, "I'll just figure it out" and plunge in, but have created so many problems that they are kind of impossible to solve. I mean, I'm talking really good writers do this and you can tell when they got to the end they either had to do something preposterous or they just don't really resolve things. So for fiction I spend a lot more time outlining and for humor I really don't do much of it.
You told us over and over that you don’t think you could live without books, but the ironic thing is, you’d probably die before you’d think to rip pages out of one to start a fire. Am I right? Well, get over it already. Better to be warm then well-read.
When I talk to people the usual progression is, "Flogging's cruel and barbaric," moving very quickly to, "Only 10 lashes for five years?" Then I do worry, actually. On the one hand, once you start quibbling about the number of lashes, I've won. But on the other hand, people who say flogging's not cruel enough... I mean, well, what have we become? God forbid I wake up a couple years from now and we have even longer sentences and we flog people. I mean, then I might jump out a window.
Well, if you look at the whole story, I mean there's only Jews and Romans in the story. I mean I just wanted to flesh that character out and make that a drama about the people around Christ when he was going through this passion.
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