A Quote by Maria Sharapova

Through my travels, I find inspiration in street style and how young women create their individual looks and identity. — © Maria Sharapova
Through my travels, I find inspiration in street style and how young women create their individual looks and identity.
I find a lot of inspiration in street style and watching women walk, the way they wear things and what they're wearing.
I'm a physical actor in that I start with a physical sketch of the character. I find it easier to find inspiration from the outside in. If I find the character's tensions and the way he carries himself or looks, that's going to affect how I talk. So that's how I start to create that person.
I find inspiration in what artists and regular people on the street wear, but I'm also very influenced by what I like to wear since I style myself.
You create identity, you're not given identity per se. What became more and more interesting to me wasn't the I, it was text because it's text that create identity. That's how I got interested in plagiarism.
I get my inspiration from young stylish girls I see all over my travels.
I know how I shop and how I am inspired to buy things, and the majority of it is from Instagram. I look at people like Yasmin Sewell and Leandra Medine from the Man Repeller, as well as the countless models that have really cool street style, for inspiration all the time.
I hope that through Fast Forward, we can encourage women everywhere to know their power wherever they find themselves; to find their purpose; and to connect with others in order to create a better world - especially for women and girls.
Just like the NBA, the NFL has guys that can pull off multiple looks, ranging from street style to more dapper, buttoned-up looks, and people are starting to notice.
Up until 1920, women couldn't vote. Until 1974, married women couldn't get their own credit cards or, in some cases, their own loans. Basically, the husband's professional, social, and economic identity covered the individual identity of the wife.
Like lots of women who marry young and find themselves mothers by the time they're 25, I felt I no longer had an identity.
In the previous days and times, we've been involved, not exclusively, but largely, in the process of individual survival: How do I get through the day, how do I get through the week, how do I get through the month? In the 21st century, we're learning that we can no longer concentrate on individual survival strategies, that unless we begin to coalesce those strategies and learn how we can survive collectively, that no individual is going to survive in the long run.
The genre [of hard-partying girls] seems to have gone out of style - instead of young women who drink too much, it's young women who don't eat enough.
Revolution, total revolution, implies experimenting with the impossible. And when an individual takes a step in the direction of the new, the impossible, the whole human race travels through that individual.
Every season, I absorb everything around m:, the people I see on the street, the discos, the art, the music, and the energy of places from my travels. I mix all of this together, and then I begin to create.
I don't understand why women journalists always ask women about motherhood? It's far more important and interesting for women to talk about their work, their thoughts, their creativity and their individual identity.
I wonder if some artists determine their entire identity through that which they create. How dangerous! Imagine if they were to stop creating!
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