A Quote by Mark Billingham
A reader's own imagination is a far more powerful form of CGI than anything any movie can provide because it's unique. In your own imagination, you can enter all sorts of worlds, and they are unique to you because no other reader will interpret a book the same way.
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The book is finished by the reader. A good novel should invite the reader in and let the reader participate in the creative experience and bring their own life experiences to it, interpret with their own individual life experiences. Every reader gets something different from a book and every reader, in a sense, completes it in a different way.
I think a play can do almost anything, because it's also a static form, much more so than in a movie. In a movie you can move the scenery, you can do anything any way. A cartoon, happens in a limited amount of space and a limited amount of time, and you can only get so many words before the reader's gonna get impatient. All of these forms that I enjoy are in a sense a slight of hand, where you have to suggest much more than you really show. You have to, in a sense, seduce the reader and trick the reader or the audience into going with you.
I feel really strongly about not wanting to overly guide the reader about what he or she should think. I really trust the reader to know for themselves and not to need too much. You have your own imagination, your own experiences, your own feelings, and a novel wants ultimately to ask questions. It doesn't assert anything, or shouldn't, I think.
Once you finish a book, it doesn't belong to you anymore. You're giving it to other people. If something in what a writer writes can excite the imagination and the feelings of the reader, then that reader carries it around forever. Nothing is more vivid than good fiction.
Tim Price has captured my imagination on many occasions with his forward thinking arrangements and wonderfully captivating playing. He is a unique musician made more unique because he has searched and found his own voice. Truly a rare find in music.
The characters within a book were, from a certain point of view, identical on some fundamental level ? there weren't any images of them, no physical tangibility whatsoever. They were pictures in the reader's head, constructs of imagination and ideas, given shape by the writer's work and skill and the reader's imagination. Parents, of a sort.
We may seem the weakest and most insignificant of all the Realms, but our strength comes in other ways. We have what no other race has: imagination. Any one of us, even the lowliest, can create worlds within ourselves; we can people them with the most extraordinary creatures, the most amazing inventions, the most incredible things. We can live in those worlds ourselves, if we choose; and in our own worlds, we can be as we want to be. Imagination is as close as we will ever be to godhead, Poison, for in imagination, we can create wonders.
In The Touch, the love scenes are the same as they were in The Thorn Birds or anything else I've ever written. I find a way of saying that either it was heaven or hell but in a way that still leaves room for the reader to use their own imagination.
In The Touch, the love scenes are the same as they were in The Thorn Birds or anything else Ive ever written. I find a way of saying that either it was heaven or hell but in a way that still leaves room for the reader to use their own imagination.
The best critics leave the reader curious to pursue something further, but still to let the reader have his or her own honest, unique opinion.
There are only two worlds - your world, which is the real world, and other worlds, the fantasy. Worlds like this are worlds of the human imagination: their reality, or lack of reality, is not important. What is important is that they are there. these worlds provide an alternative. Provide an escape. Provide a threat. Provide a dream, and power; provide refuge, and pain. They give your world meaning. They do not exist; and thus they are all that matters.
My readers have to work with me to create the experience. They have to bring their imaginations to the story. No one sees a book in the same way, no one sees the characters the same way. As a reader you imagine them in your own mind. So, together, as author and reader, we have both created the story.
I feel like you are allowed in fiction to embrace imagination and try to enter other worlds. And I feel like you should push yourself to try to persuade your reader that you have the authority to engage with people who, you know, lived in the past, who live in the future, other genders, other places, other cultures.
When you draw in a tight, controlled style, you open yourself up to - in my case, my own - criticism that things aren't quite right. If room is drawn so carefully, when a detail is wrong or missing, it's wrong or missing. The reader's imagination doesn't add the detail in because there are already so many other details. The reader is restricted to seeing the elements that are right there in front of him/her.
If a book I've committed myself to review turns out to be 'disappointing' I make an effort to present it objectively to the reader, including a good number of excerpts from the text, so that the reader might form his or her own opinion independent of my own.
I think it's fun to play with worlds that you can add a lot of your own imagination to. With 'True Blood,' you're not limited by anything, there are just leaps and bounds of the imagination you can take with these characters.
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