A Quote by Marc Guggenheim
We have several projects in the pipeline, but one of the rules we set for ourselves is we don't want to solicit or announce any projects that aren't ready for publication. I'm personally really tired of reading about titles that never come out.
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I'm able to do my television projects and movie projects that I really want to explore. For me, it's not about the money, it's not about the fame. I love creating.
In any of the big acting cities, there are breakdowns that the casting directors put together for the projects that they're working on and then they get sent out to the agents and stuff like that. It's difficult to find projects, sometimes, unless your agent or manager is submitting you for those specific projects.
I never... it's a hard thing: when I think about projects, I don't come off something and go, 'I really want to make a sci-fi film next,' or 'I really want to do a political thriller next.' It's really coming across - I'm really fascinated, partly by world building, but also about the character and what the journey is.
I am not just sitting and reading everything because honestly sometimes the scripts that appeal to me are projects that are not good projects, but I just really like the script or the characters.
For me to start working, projects have to catch my attention whether they are here (in the USA) or in Mexico. All I want is to be involved in projects that are interesting to me, projects that are a challenge wherever they may happen, in Spain, in China, or in Hollywood.
I like to be a team player. All the projects I do are collaborations. And I want to solicit the opinions and help of other people. I'm not interested in being the one in charge.
When you have so many projects to nurture, one or two get real excited and raise their hands. The reaction from it tells when it's time and where to go. I usually have about a half a dozen titles in development; researchers researching and people doing cover. I'm exploring musical vocabularies I want to explore, different genres, and constantly reading things.
My ultimate goal is actually to direct and develop projects. I don't want them to be big projects with a lot of special effects because that's not really what appeals to me.
With certain projects, there are delays, and with others, things come together very quickly. It can be frustrating but it's not uncommon, and you just have to keep a lot of things juggling and hoping all of these projects will go when all the pieces fall into place. You just have to be ready for whatever catches fire.
I don't take on projects that are a hassle or when someone comes in and says, 'We really need this design,' and I'm like, 'OK, fine, I'll do it.' It really has to be something that I personally feel intrigued and excited about - any product, as long as I'm excited by it. It doesn't have to be a car.
When I talk to friends and editors about possible projects, especially about projects that might come with a significant cash advance, they usually suggest a biography. Sometimes I'm tempted, but the prospect of spending years researching and writing about someone else's life offends my vanity.
The independent films are really where I kind of come from and where I feel comfortable. It's never been about the blockbusters and making a huge tonne of money. It's always been about wanting to do projects about the things that I think are important to be out there.
The projects that I end up doing, that I want to be involved with in any way, have always been projects that will be impactful, for the most part, to my people - to black people.
I come from a hut, from a hut I went to the projects, from the projects I went to a mansion so you out there you have ABSOLUTLY NO EXCUSE!
On certain projects, on big public projects, people definitely are interested in making them greener, but on smaller projects with tight budgets it can be harder.
Brazil is strewn with ruins of projects - refineries, power plants - begun but never finished. Most of this investment never landed in places or industries that really meshed with the trajectory of the global economy. This wasn't state-of-the art industrial policy. The projects seemed curiously nostalgic.
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