A Quote by Mark Frost

To David Lynch, any film or television show should be life casting a shadow. — © Mark Frost
To David Lynch, any film or television show should be life casting a shadow.
In this, the late afternoon of my life, I wonder: am I casting a longer shadow or is my shadow casting a shorter me?
My first introduction to television, and really just the business in general, was working with David Lynch, with his incredibly open, creative mind that was not following any rules.
The first time I lay actual eyes on the real David Lynch on the set of his movie, he's peeing on a tree...Mr. David Lynch, a prodigious coffee drinker, apparently pees hard and often.
David Lynch saw my picture in a casting agent's office in Seattle. I got a call to see him, and the rest is history.
We love David Lynch. We're big David Lynch fans.
I remember being really grateful that David Lynch had actually even thought of casting me, because I was a huge fan of his.
I was very scared when I saw it, because Dune was for me very important in my life. I was very sad I could not do it. When I saw that David Lynch would do it, I was very scared, because I admire him as a movie-maker, and I thought he would do well. But when I see the picture, I realize he never understood this picture. It's not a David Lynch picture. It's the producer who made that picture, no? Who made this horror. For David Lynch, it was a job. A commercial job. It never was that for me.
My first introduction to television, and really just the business in general, was working with David Lynch, with his incredibly open, creative mind that was not following any rules. I didn't know it, because I hadn't been in the business.
David Lynch is very important to me, and he does dreamlike movies, but my dreams are not like David Lynch's dreams. I have no interest in copying anybody's work. It would never occur to me to want this to look like someone else's thing.
No I didn't audition, I didn't even know David Lynch till the week before I started the film.
When I was going to film school, before film school, my hero was David Lynch.
When he came to television, there was no way I wasn't going to watch. Of course, he delivered everything that you would expect David Lynch to deliver, and more, and he was doing it in primetime network television. Even as a 14-year old, I wanted someone in the room with me that I could look over and say, 'Can you believe we're watching this?'
Tom Hooper had done 'John Adams,' and David Lynch did 'Twin Peaks.' I figured I could do eight hours of television, and I wanted to.
Theater is completely different from film or television. It has a beginning and a middle and an end and it's different every night. And it's far preferable to any other except in the sense of not getting paid, people who want to eat should do film and television.
I'm inspired heavily by film influences - David Lynch's Blue Velvet, Federico Fellini, Alfred Hitchcock, Pedro Almodóvar, and what I see in the cinema - so there is a linking, an interweaving between memory, cinema and contemporary life, which the women in my pictures encapsulate.
When I first met David Lynch, he was living in the stables of the American Film Institute... He'd work all night and have his crew lock him in during the day, and he'd sleep.
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