A Quote by Mark Fisher
Roxy Music' and 'For Your Pleasure,' those exercises in learning and unlearning of accent and manners, are Pop's equivalent of 'The Talented Mr Ripley.' The clothes , the bearing and the voice are faked, but not yet perfectly.
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Every accent, every emphasis, every modulation of voice, was so perfectly well turned and well placed, that, without being interested in the subject, one could not help being pleased with the discourse; a pleasure of much the same kind with that received from an excellent piece of music. This is an advantage itinerant preachers have over those who are stationary, as the latter can not well improve their delivery of a sermon by so many rehearsals.
The secret of meditation is the art of unlearning. Mind is learning; meditation is unlearning: that is - die constantly to your experience; let it not imprison you; experience becomes a dead weight in the living and flowing, riverlike consciousness.
Can you imagine he went to rest at the age of 36, and 30 years after he's still coming out with music for your listening pleasure? Not only for your dancing pleasure, but for learning at the same time. Because Bob Marley music teaches.
Pop music has progressed. The singing voice has changed dramatically in pop music, and people now just sing the way they want to, in their speaking voice, instead of putting on some great transatlantic rock and roll sneer.
I think about some of the novels I love - The Stranger, Disgrace, Quicksand and Passing, Giovanni's Room, The Talented Mr. Ripley. I think I'm more intrigued by characters who don't do the right thing and where we are allowed to identify with their shame/dishonesty/envy... whatever.
In an odd way I thought I was lowering the bar for myself, in saying, well, I'll make a pop album. But in a way it's kind of harder to make pop music. It's like the more abstract you get with music, you get into that emperor's new clothes thing, where you can go anywhere, and just claim that your audience may not be prepared to go with you. But with pop music, I think everybody understands the form, everybody knows what it's meant to do. So I would say it's harder to write that kind of music.
Unlearning is gaining importance as workplaces are moving towards agile, collaborative working models. While conventional education adds to our knowledge, unlearning will become the new learning in the coming decade, as concepts and ideas keep evolving.
The voice belonged to Mr. Pzyrbovich, an algebra teacher who was always called Mr. P, for obvious reasons. He has a heavy accent, which a lot of kids said made him hard to understand, although to be fair some of these kids would have never understood algebra anyway.
A voice and an accent are two very different things. The voice of a man is how he speaks from his heart, right in the middle of him... And then you stick an accent on top of that.
I was also very lucky to be able to work with talented people while I was learning. I didn't actually go to fashion school. I worked with Riccardo Tisci at Givenchy which was a really pivotal experience for me. He taught me a lot about being faithful to your own voice and to really believe in your own voice and that's made a big difference.
I'm not a pop rapper. That's nothing against pop music - I love pop music. I've jumped on pop records for people and still will, but I'm not a pop artist. I didn't start from there. I started in underground music. I consider myself an underground artist, as well as a producer.
Early on, people told me I was making Chinese people look bad. I've been living with this accent. I had already been doing standup for a while. I knew my voice already. I myself never wanted to make my accent the butt of the joke. I never want it to be, 'I'm laughing at your accent.'
I think pop music is in such an exciting place right now, and I do kind of credit that to Lorde with 'Royals.' I think that song changed everything in the pop scene. All of the sudden, alternative pop music became pop music.
There's this pet phrase about writing that is bandied around particularly in workshops about "finding your own voice as a poet", which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice. But I think you could also put it a different way. You, quote, find your voice, unquote, when you are able to invent this one character who resembles you, obviously, and probably is more like you than anyone else on earth, but is not the equivalent to you.
Pleasure for others is the only pleasure possible to me. I assure you I'm quite selfish! - I'm greedy for the happiness of those I love - and if they can't or won't be happy I'm perfectly miserable.
Prepare yourself for the world, as athletes used to do for their exercises; oil your mind and your manners, to give them the necessary suppleness and flexibility; strength alone will not do.
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