A Quote by Mark Foster

When I was 21, I was in a pretty serious band, and we almost got signed - went to New York, showcased, all that - but didn't end up getting signed, and we broke up. I went back to the drawing board; I really took a hit from that whole experience.
My first attempt at real music was when I was 13. My first signed band was when I was 21; that failed. I got another deal at 26; that failed, and then I was broke.
About a year into my training, I got a call from WWE, and they signed me. I got signed right away to FCW, so my whole career has been pretty much in FCW and NXT.
I hate fame. There's this assumption that everyone wants it - that by being a musician, I've signed up for it at some point. But personally, what I signed up for is sharing my music. I've always said I'd rather have four No. 10 songs than one No. 1 hit.
My first and only experience in baseball, the coach signed me up; he didn't tell me there's a thing called the curveball. I didn't know that. So the ball's coming at me and I start backing out, and then it broke inside. And the umpire says, 'Strike one!' And I'm saying, 'How is that a strike? It almost hit me!'
My first attempt at real music was when I was 13. My first signed band was when I was 21; that failed. I got another deal at 26; that failed, and then I was broke. I imagine trying to handle this head-trip of an experience when I was younger - it would have just turned into too much, probably.We all go through ups and downs with drinking, and In think it would have probably been a lot worse had I experienced that before.
I took a while to fall in love with Val d'Isere. It was November 1985 and, keen to delay getting a 'serious job' after university, I had signed up for a season as a chalet girl. What struck me first back then, as I rolled into town on the Bladon Lines bus, was the sheer ugliness of the place.
It breaks my heart to see these young, really talented bands getting chewed up into the system. I remember a time if you'd signed to a major label it was such a sell out! But now... unless you've signed to a big label, you're a failure now.
There's a teacher at the Renzo Gracie Academy in New York named John Danaher. He's leading this whole group of fighters named the Danaher Death Squad, and they're revolutionizing how that world works. I actually went and signed up for classes mostly because, man, if there's innovation like that happening in New York, I want to be around it.
We signed with Roadrunner because, they almost signed us in '97 or something, and we've been wanting to work with Monty Connor, the guy who signed us, for a long time because he's been a huge fan of us since, I mean, in high school, when I was in high school and he was following our band.
My brother, who's a few years older then me, went to college in New York. He said all of these people from Saturday Night Live do improv together in Upright Citizens Brigade, and I thought, "Oh, that sounds really cool." So when I got braces and couldn't play music anymore, I said to my parents that I wanted to go to New York and take a class at that place. They were remarkably on board with it. I got on the train, went up, took a class and I loved it.
I thought I was signed up to be on 'Heroes.' It turns out I signed up to be on 'Survivor.'
That's the funny thing - if there was a year and half or two years of us being a band like every other band and then getting signed, we would probably have made 'Pretty. Odd.' as our first album instead.
I just got back from New York, and I realized in New York, it's very difficult to hear a New York accent. It's almost impossible, actually - everybody seems to speak like they're from the Valley or something. When I grew up, you could tell what street in Dublin someone's from by the way they talked.
There was a moment, a few weeks after I signed, that it actually hit me. I was signed to a major label.
I had a ten-piece band when I was 21 years old, the Bruce Springsteen Band. This is just a slightly expanded version of a band I had before I ever signed a record contract. We had singers and horns.
The first time I almost died was surfing: I got hit on the head with a board. I went under and started swimming until I hit the bottom of the ocean. I thought, 'Oh my God, I'm going the wrong way. Do I have enough air to get back up?' If you're a surfer, you know the feeling.
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