A Quote by Mark Frauenfelder
My friend Josh Glenn compiles terrific lists of genre novels from the mid-20th century. His latest is a list of the ten best adventure novels of 1966. Josh also includes the cover art of early editions of the books, which are always much better than the art on newer editions. I want to read every book in this list!
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I was in school for literature, and read so many 19th century and early 20th century novels that it was hard to break out of that and read an average Jeanette Winterson book or something.
Graphic novels and comic books, by and large, as you know, have cover art, and they have interior art. The interior art is never as detailed as the cover art.
I'd like to be remembered not only for my body of work but also for specific novels. Ideally, I want to be remembered in the same way as Stephen King, who defined and exemplified excellence in the horror genre in the late 20th and early 21st century.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
Buy good books, and read them; the best books are the commonest, and the last editions are always the best, if the editors are not blockheads.
It is worth remembering that every writer begins with a naively physical notion of what art is. A book for him or her is not an expression or a series of expressions, but literally a volume, a prism with six rectangular sides made of thin sheets of papers which should include a cover, an inside cover, an epigraph in italics, a preface, nine or ten parts with some verses at the beginning, a table of contents, an ex libris with an hourglass and a Latin phrase, a brief list of errata, some blank pages, a colophon and a publication notice: objects that are known to constitute the art of writing.
Any attempt to list the ten best science fiction novels is doomed to failure.
Develop a mailing list... anyone who comes through your studio or meets you at art shows or anywhere. It's the power of permission-based marketing. Email your latest work to the list, every month.
I read all types of books. I read Christian books, I read black novels, I read religious books. I read stuff like 'Rich Dad, Poor Dad' and 'The Dictator's Handbook' and then I turned around and read science-fiction novels.
The art of injudicious reading, the art of miscellaneous reading which every normal man ought to cultivate, is a very fine and satisfactory art; for the best guide to books is a book itself. It clasps hands with a thousand other books.
Josh is the guy in the band who's just so friendly and super, wanting to walk up to you and say, 'Hey, I'm Josh. I drum in this band, and I'm a big fan of you, and I really appreciate what you do.' Josh has all these great friends in the industry now.
Forget your ideas about art. Make a shopping list of everything you like about what you've done. Include qualities that you've seen in your life, in the world, and possibly in art that you like. Take this list and make a work that satisfies all of the things on your list without caring if it looks like art.
Josh Gad was in my class. Katy Mixon. Griffin Matthews. Josh Groban - he ended up leaving to become a huge star, but he was in our class in freshman year. I remember Josh was this nerdy kid in a turtleneck with a voice from heaven.
When someone asks me to list the 10 best novels ever written, I always refuse to answer.
Book-jacket design may become a lost art, like album-cover design, without which late-20th-century iconography would have been pauperized.
Oddly, though, lists are reassuring. We become aware of this if we scrupulously follow a recipe, which is essentially a list of ingredients and actions; but if we give this 'list' too much importance, we leave no room for the imagination.
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