A Quote by Mark Hughes
If you are loose and not quite taking clear-cut chances in training, then clearly you are not going to do that come match time.
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So this is what I will do. I will gather together my past and look. I will see a thing that has already happened. the pain that cut my spirit loose. I will hold that pain in my hand until it becomes hard and shiny, more clear. And then my fierceness can come back, my golden side, my black side. I will use this sharp pain to penetrate my daughter's tough skin and cut her tiger spirit loose. She will fight me, because this is the nature of two tigers. But I will win and giver her my spirit, because this is the way a mother loves her daughter.
Training and playing are different things. I've noticed it. If you come in and you realise after six minutes that it is tiring, then that is a clear difference to training.
Our training schedule can change quite a bit throughout the year - if you're going into quite a heavy Test match workload a lot of it's based on recovery and a lot of aerobic work is done in that period.
I was literally living on the edge of life, to the point where I didn't know what was going to happen, not caring, taking chances and finally landing in prison and once there, all my lines were cut.
I used to live on the other side of Canberra so it'd take me about 20-25-minutes to come into training. I was so thankful to have a car. Mum was also happy because she had all this extra time instead of driving me to training, waiting around, and then taking me home.
Tennis is like, it gives you a lot of chances, but if you don't take those chances, it takes a lot of chances away from you. It's just the scoring pattern. We cannot dwell over a loss or a win for very long. We have no time to celebrate; we have no time to dwell; we have to move on. Wake up the next day and try and win the match.
I'm taking each match one at a time, not putting expectations on myself, just getting fired up to compete, and taking each match as is.
You're just taking punishment every day, getting hit all the time. That's something we're going to cut back on. I'll train hard but the sparring will be cut in half.
I'm all about taking chances. You have to ask yourself, if you're not taking any chances, are you actually even living? Every time you walk out of your door and you're out in the world, you take a chance on not coming back. That is the danger and the dynamic of being alive.
When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.
We all remain who we are. But on the way to healing or liberation we have to do what the Romans called agere contra: we have to act against the grain of our natural compulsions. This requires clear decisions. Because it does not happen by itself, it is in a way "unnatural" or "supernatural" . . . (we) simply have to cut loose now and then, and in the process . . . make mistakes.
The first time I fought Ian McCall, I cut carbs completely out of my diet all through training camp. I was afraid I wasn't going to make weight, that I'd get on the scale, and it would be all, 'He weighs 128,' and the people would throw cabbage at me. I basically cut all carbs on the diet, just eat chicken and greens all the time.
I always think that I have plenty of time for everything, and then the reality of it doesn't quite match up.
I had never understood quite so clearly the effective power of Jane Jacob's writing - no, her clear-headed observation - as I did reading “What We See”. Maybe that's really the point of writing. That if you take the time to look, to really observe, then you see what is happening, and, with the clarity of that vision, you can act to save neighborhoods.
They transfer the prison, and all of a sudden all this money cuts loose, all these people cut loose.
I was going to say is that I come from a rock background, but also I was super interested in jazz for a long time. I was training to be a jazz musician for quite a while. I never trained to be a classical composer or player, but I did train to play jazz.
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