A Quote by Markieff Morris

I can just be one of those guys that used in the mix, playing 4 or 5 if we play smaller. — © Markieff Morris
I can just be one of those guys that used in the mix, playing 4 or 5 if we play smaller.
The voice-over world has changed radically in the time that I've been in it. It used to be this rather small, select group of people who did 90 percent of the work. Now it's kind of the reverse: 90 percent of the work is done by this very broad mix of people all over the country, and the guys who used to be the go-to guys are a much smaller percentage now. But there was this massive interest in voice-over as well as in the story, so I think that also added to the film's appeal.
I like playing on this team. We actually been doin' real good. Got a different mix here. Most important thing is you gotta keep pickin' up in paces. That's why we're playing contentious play. We got top names, guys can still hit in the majors, guys been out of the game hittin' the ball, shockin' it. Don't have no old, old guys. Not sayin' they don't get a good job done. Fact is, they've been vice versa. So that's incentive right there. It's been a plus.
When you're young, you might not be ready to deal with the frustration of playing the big guys and dealing with their power. But we move better, we see the ball earlier, we can play faster. That's why you see smaller guys able to compete. We use the power of our opponent.
A lot of guys in New York will only play with an edge. They find their groove and that's their groove. to me, once I do that, there's no point in playing anymore because it should always be a mystery. Depending on who you are playing with, there are hundreds of ways of playing. I think that a master can play all those different kinds of time.
Seeing bigger guys doesn't scare me at all. It just makes me want to compete against those guys. Bigger or smaller guys - it doesn't matter.
I love playing with a full band, but there's just like a different feeling up on stage when you're playing with a smaller group. It's easier to play off each other.
I'm kind of a dirty guy, a little Bill Laimbeer-ish. Those are the guys I used to watch growing up. I used to watch Karl Malone; now I watch Boozer and Elton Brand and try to emulate those guys as much as possible because those guys are about the same size as me.
We play some smaller songs larger than they are the record, and vice versa. It took me a while to get used to playing live.
The success I had as a player, or the career I had as a player, is often based on the guys you play beside, the guys you play with. Playing on the offensive line, you're only as good as your weakest guy up front. I was blessed to play with a lot of guys for a long time.
We've got a lot of guys in here that are playing for pride and contracts and different things. Now that we are out of the race, guys are playing looser and you can see it in our play.
You play with guys who are big-name guys, and you grow up watching them and it's fun to play with those guys.
My dad had records, but only one deck, so Skep used to try and play a song on one deck - the Music Centre we used to call it, a cabinet with a glass door - he would play one tune on the record and then mix the tape to it, that's what he used to like doing. He became a DJ.
I remember when I was 6 years old and my brother used to go seek out guys that were 13 to come over and play football against me while he was the 'permanent quarterback.' I didn't know exactly what the age difference was, but I was already playing against older guys.
I used to hear all these guys on 78s at my mother's when I was a teenager... I used to daydream that I was onstage playing the solos; I'm playing with B.B. King, and I'm playing with Lowell Fulsom, Jimmy McCracklin. And I literally ended up being in a band that backed them up at different clubs.
I enjoyed learning something and, uh, so I think like with anything in life, in the schoolroom in an artistic endeavor, if you have just a really good teacher, it's inspiring. I certainly use, in my work, I mean, I used to rely heavily on imagery. I was obsessed with this photograph that was in the NY Times of a fish engulfing a smaller fish and this smaller fish had this look in its eyes; it knew what was about to happen and, I don't know how they ever captured such an image, but I've used that for a play I (did). It's called "Saved."
I think any time you bring those guys in, one with a lot of playoff experience, with rings - those guys won - guys in the locker room gravitate towards those guys. Those guys have been there, so there's a lot that they can teach the guys.
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