A Quote by Marco Rubio
That thought process that somehow other people have to be worse off in order for you to be better off does not work. People get on boats people jump fences to get away from that kind of thought process.
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Dialogue is really aimed at going into the whole thought process and changing the way the thought process occurs collectively. We haven't really paid much attention to thought as a process. We have engaged in thoughts, put we have only paid attention to the content, not to the process. Why does thought require attention? Everything requires attention, really. If we ran machines without paying attention to them, they would break down. Our thought, too, is a process, and it requires attention, otherwise its going to go wrong.
Whether a person is spiritual or not, we all seek to get away from the stress, anger, and anxiety of everyday life. Some people drink, do drugs, or do worse to escape, and they hurt themselves in the process. Some people listen to music, mine included, and feel better.
Doing an interview you're going to have certain things you want to get at, but you're better off if you play to people's strengths a bit. You're also assessing how it's going and adjusting as needed. Does your subject seem up for it, willing to do it, and is he or she enjoying the interview? Or do they need to be coaxed, or reassured, or whatever they might need from you? Like writing, interviewing is a process that you keep learning, and you're always trying to get better and better.
People are supposed to accumulate, I thought, as they get older, but I seem to be sloughing off, like a person wrapped in a hundred layers of cellophane, tearing one layer off at a time, trying to get down to me.
I thought I'd become a funeral director when I wasn't going to be an actor. I thought I would be good at helping some people with the grieving process and with trying to get them to talk about and understand who this person was.
I love being on the periphery with a group of people who have the same values that I do. People who don't get off on fame, who just like the process of making movies and thrive.
Let`s teach those people that when they go to work, they get skills, they meet people, they get opportunities, they get to climb the ladder, they get much better off than the person who`s just sitting at home receiving those things.
I think to understand how the democratic process works is the most important thing, so people don't get frightened by it, and get put off, and give up.
It kind of hit me at some point during the process that most people in the film business - not just the executives, the people who make them, too - tend to come from pretty upper-class backgrounds. If they go work a job, it's to have that experience, that sort of thing. After they graduate college, they have time to go visit Europe and take some time off and get their heads together. That kind of thing, I sure didn't have.
War is, at first, the hope that one will be better off; next, the expectation that the other fellow will be worse off; then, the satisfaction that he isn't any better off; and, finally, the surprise at everyone's being worse off.
I just thought it was important that people knew right from the jump that I've got problems. But in all seriousness, that's a huge part of my writing process.
I always thought, I can't waste time, I have to do work. I also thought that I was slower than other people, that I had to concentrate more. I always thought, I'm not brilliant, I have to work. That was something I embedded in myself very early: I have to go home and write. But did I get any more work done than people like Frank O'Hara, who were always going to parties? Probably not.
The more people figure this [liberalism a special kind of stupid] out, the more people that see it and are turned off by it, the more people who find it objectionable, the more people who ask, "Gee, what kind of people," the better off we're gonna be.
Die-hard conservatives thought that if I couldn't get everything I asked for, I should jump off the cliff with the flag flying-go down in flames. No, if I can get 70 or 80 percent of what it is I'm trying to get ... I'll take that and then continue to try to get the rest in the future.
My writing has to excite people and depict or include their experiences. That's part of my process - to go out and interact with people. It's very much like an archival process. I understand that the Brothers Grimm would go out and get people talking so they could document folk tales that weren't being documented any other way. I try to offer a little bit of myself - some experience from my life that evokes stories in other people.
I think the world would be a lot better off if more people were to define themselves in terms of their own standards and values and not what other people said or thought about them.
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