A Quote by Markus Zusak

I s'pose, I can't have it all my own way, can I? You can't drown in a person unless they let you. — © Markus Zusak
I s'pose, I can't have it all my own way, can I? You can't drown in a person unless they let you.
I do not pose my sitters. I do not deliberate and then concoct... Before painting, when I talk to the person, they unconsciously assume their most characteristic pose, which in a way involves all their character and social standing - what the world has done to them and their retaliation.
Follow your nature. The practice is really about uncovering your own pose; we have great respect for our teachers, but unless we can uncover our own pose in the moment, it's not practice - it's mimicry. Rest deeply in Savasana every day. Always enter that pratyahara (withdrawn state) every day. And just enjoy yourself. For many years I mistook discipline as ambition. Now I believe it to be more about consistency. Do get on the mat. Practice and life are not that different.
After tiny has tried ballerina pose, swing-batter-batter pose, pump-up-the-jam pose, and top-of-the-mountain-sound-of-music pose in the reflection of the bean, he walks us to a bench overlooking lake shore drive.
Affliction is able to drown out every earthly voice. . . but the voice of eternity within a person it cannot drown.
If you look at my carpet photos, I'm doing the exact same pose all the way down the carpet - like, I literally shuffle in that pose.
I believe in the power of motion, the wisdom of gravity, the emptiness of true love, the fact that there is no way out but through the body, no way up unless we all go together, no way down unless we follow the beat, no way in unless we embrace the dark.
The way Disney characters move, they're very kind of slow and fluid and flowing; one pose kind of eases into the next. If you look at a show like 'The Simpsons' and subsequently a show like 'Family Guy' - the characters will jerk from pose to pose a lot, a bit more snappy. Which sort of goes along with the writing tone of the show.
I don't own my emotions unless I can think about them. I am not afraid of feeling but I am afraid of feeling unthinkingly. I don't want to drown. My head is my heart's lifebelt.
All the water in the world cannot drown you unless it gets inside of you.
Don't ask for guarantees. And don't look to be saved in any one thing, person, machine, or library. Do your own bit of saving, and if you drown, at least die knowing you were heading for shore.
When I was working on 'Drown' - this was way back in the mid-'90s - I had this idea that I wanted to do another collected stories. I wanted to do another book like 'Drown' that focused specifically on infidelity.
Because beyond their practical function, all gestures have a meaning that exceeds the intention of those who make them; when people in bathing suits fling themselves into the water, it is joy itself that shows in the gesture, notwithstanding any sadness the divers may actually feel. When someone jumps into the water fully clothed, it is another thing entirely: the only person who jumps into the water fully clothed is a person trying to drown; and a person trying to drown does not dive headfirst; he lets himself fall: thus speaks the immemorial language of gestures.
On the way I thought about how millions of people drowned so that the first person could learn to swim. The amazing thing is that people still drown.
you cannot make a person believe anything unless that person has already had a conscious or unconscious vision of the same thing; you have no conviction of truth unless you have already apprehended it intuitively.
What interest, zest, or excitement can there be in achieving the right way, unless we are enabled to feel that the wrong way is also a possible and a natural way, nay, more, a menacing and an imminent way? And what sense can there be in condemning ourselves for taking the wrong way, unless we need have done nothing of the sort, unless the right way was open to us as well? I cannot understand the willingness to act, no matter how we feel, without the belief that acts are really good and bad.
Say an A&R person wants me to do this type of song because they feel it is going to work on the radio, I guarantee you that unless the song is real, there is nothing wrong with having success and I want to be successful. That is why I am, but I do it my own way.
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