A Quote by Markus Zusak

I think, as the writer, you're always going to mourn something [left out of a film]. But you also just want to know there's a good reason for it being left out. On the whole, you want to give something to somebody creative. The worst thing you can do is say, "Here, be creative, but do it like I want you to do it." I was always very mindful of that.
I moved from Denmark to America. I left my family. I left my school. I left my friends. And it was basically to pursue my career, and I didn't know if it was going to work out. So that was very scary to leave everything and just put everything into a whole new thing where you don't know if you're going to make it or not. But I think I'm doing good.
When you want to do something creative and you want to do something new, you have to start with the thing that's making you want to jump up out of bed in the morning.
I think there's a deep impulse in most humans to do creative stuff, whether that's music or art, photography or writing. Most people at some point in their life say they want to do something creative - they want to be an actor, a director, a writer, a poet, a painter or whatever.
I always say I want creative control. A lot of people don't think about that. And that's what every artist should think of - being creative and not just a puppet.
I don't want to get ahead at the expense of somebody else. I don't even want to be the center of attention - I mean, yes, I made the movie and I can do all these things, but I don't want to always keep being in the middle of it. I want to collaborate with people and be a part of a creative community. I don't know.
The scheduling thing is really weird with TV shows. Certain projects haven't been able to work out because of the schedule, so some of it is out of your control. You don't have very many opportunities. There isn't much time, so you want to make sure you're going to be doing something that you really feel good about or that you're going to have a good creative experience doing. You're taking up vacation time from your job, so you want it to be meaningful.
The fun thing about song writing is that it's just creative. It can be whatever you want it to be. For me, I'm really protective of that. I'm not going to write something because I feel like it fits here or it fits there - I just want to write music that feels good to me, you know?
I think fans always want something new, but they want somebody who can deliver - to go out there and really entertain them and have good matches.
I want to make the most out of the word ‘fame.’ I want to do good things with my fame, or whatever it is. I want to help and do charity work. There’s something going on in Chile right now with the water, so I think I’m going to down there in a month to help out. My grandfather worked with charities his whole entire life, and we grew up living with him. He always told me about the other side of the world and everything that’s going on.
I remember my first acting class: I was like, 'That's it.' If I know that I want to do something then I'm going to do it and there's no stopping me, whether it's if I want to take a movie part or don't, or eat sushi for lunch or don't. There's always a very clear goal. Once I figure out what I want that's it.
As a creative person, you want to be creative, you know? You don't want to constantly wait around - a lot of movies fall apart, or there's just not as much out there as there used to be.
If there's anything I could undo - usually when I want to undo things its like right on the moment because I look to the stuff that I go through in my life and something always comes out for a reason so I'm doing that. But, its always that when you say something that's just so asinine and so stupid, you're like, ahh, if I could just, please, have an undo button just to not say that.
They say no land remains to be discovered, no continent is left unexplored. But the whole world is out there, waiting, just waiting for me. I want to do things-- I want to walk the rain-soaked streets of London, and drink mint tea in Casablanca. I want to wander the wastelands of the Gobi desert and see a yak. I think my life's ambition is to see a yak. I want to bargain for trinkets in an Arab market in some distant, dusty land. There's so much. But, most of all, I want to do things that will mean something.
I always have a good reason for taking something out but I never have one for putting something in. And I don't want to, because that means that the picture is being painted predigested.
When I go onstage, I don't know what I'm going to say. I don't know what's going to come out of my mouth. It's one of those questions where any and everything is possible. I literally could be talking about somebody I was hanging out with two seconds ago or something from the news. Literally, there's really no rhyme or reason for it. I want to be free flowing like that.
I always feel like if someone has stage fright, I really try and say, "Listen, these people want you to succeed, they want to have a good evening. They want to see something really great. They don't want to see something crappy. They don't. They want to be at something really special."
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