A Quote by Markus Persson

I remember disassembling and putting an old analog alarm clock together. It was a lot of fun figuring out why it still worked with that one spring missing. — © Markus Persson
I remember disassembling and putting an old analog alarm clock together. It was a lot of fun figuring out why it still worked with that one spring missing.
- he's finished with that; it's like an old clock that won't tell time but won't stop neither, with the hands bent out of shape and the face bare of numbers and the alarm bell rusted silent, an old worthless clock that just keeps ticking and cuckooing without meaning nothing.
My books depend on someone in danger, putting pieces together and figuring things out. They do a lot of thinking, and that gets lost in the movie.
I have a lot of analog. I think a lot of people do. There are a lot of people that are re-discovering it. I still have a lot of my old records from back in the day. It's a joy to play things like Junior Wells' 'Hoodoo Man Blues,' and John Mayall & The Blues Breakers with Eric Clapton. There's a warmth that you can still feel.
In spring when maple buds are red, We turn the clock an hour ahead; Which means, each April that arrives, We lose an hour out of our lives. Who cares? When autumn birds in flocks Fly southward, back we turn the clocks, And so regain a lovely thing That missing hour we lost in spring.
Touring is a whole other animal for me and a whole other skill. But I'm having a lot of fun figuring all that out and switching it from internal to external and putting on a show.
Discipline starts every day when the first alarm clock goes off in the morning. I say 'first alarm clock' because I have three, as I was taught by one of the most feared and respected instructors in SEAL training: one electric, one battery powered, one windup.
If I wasn't a writer, I would probably be a watchmaker. I like putting puzzles together, and that is what a watch is, figuring out how all the gears and everything else works together. I'm patient and good at focusing on a single task.
It was an impressive achievement, of course, and a human achievement by the members of the IBM team, but Deep Blue was only intelligent the way your programmable alarm clock is intelligent. Not that losing to a $10 million alarm clock made me feel any better.
I get up with an old-school alarm clock.
In the initial season of a show, you're figuring out your character and their life and their background and you're putting together all the chapters of the book.
The fun is in figuring out why the French are susceptible to such tripe.
I don't need an alarm clock, for habit is the best alarm there is.
I started out as a producer. and I used to work at Disney. and I worked with a lot of the animators and went on to become great friends with a lot of these guys and worked on a lot of projects together.
My husband and I oddly have worked together a couple of times. We did a 'Veronica Mars' episode together. We didn't work together, but we were both in 'Ghost World.' We had a theater company in L.A., for a bunch of years. So, we've worked together a fair amount, and it's always just great fun.
I don't have any computers in my studio, it's all analog tape. All analog tape, all old equipment, I mean my mics are like from the 60's and early 70's, everything in there is old.
Having worked with so many directors, I liked the look of what they were doing. It seemed to be a lot more creatively satisfying, putting all the parts together, joining the puzzle together, creating the tone of a piece.
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