A Quote by Marnie Stern

When you're a solo artist and you have a band on tour you have to pay the band some salary. You don't realise the expenses, the way they add up SO quickly. But thank god I'm not a money person. So it doesn't really bug me at all, I mean it's more comical to me.
I did exactly what I wanted to do. It was always my intention to put a band together and be a band and not be about the solo pop guy. That was never me. All of the musicians that made me do what I wanted to do were bands. I didn't see it any other way.
What does surprise me, though, is the amount of attention this band [Guns'n'Roses] has garnered 11 years after the original lineup broke up. That's an interesting phenomenon. It was even interesting back in the day. I mean, [we were] this glorified garage band. It was a great band, but it was not the kind of band you expected to become what it has.
All those experiences were a chance to learn more about music. Playing with the Valley band is like such a "live" band. I mean, really, in many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio, we build the songs that way. Whereas Mystic Valley Band was the exact opposite, where everybody knows what they are gonna be playing on the song and there's sort of a general stylistic approach, and then it's just plug in and play.
Sometimes, you know, once you pay your taxes and once you pay your expenses, once you've lived this life, things add up quickly. And it's easy to become a statistic. And that's something I've always tried to avoid, and I've always said, hey - not that it won't be me, that, hey, it could be me.
I think I would be much more enthusiastic about a band that covered more than just one particular album of mine. I don't ever really intend to record or to do shows with a live band. I don't really have a problem with it, but it doesn't really affect me either way.
I am lucky to have the greatest band and when you add a symphony orchestra to the mix it brings all of my songs to a whole new level. I wouldn't say I really change what I do but, having those talented musicians behind me, along with my band, really makes the songs so much bigger and more fun to sing.
The reason I stopped doing the band is that I wanted to do something different... Yes had become like 'Groundhog Day' for me. I loved being in the band, but it was album-tour, album-tour, different album-different tour.
My dad was all about music. He was a musician, leading a band when I was born. His band was active all through the 40s. He'd started it in the late 20s and 30s. According to the scrapbook, his band was doing quite well around the Boston area. During the Depression they were on radio. It was a jazz-oriented band. He was a trumpet player, and he wrote and arranged for the band. He taught me how to play the piano and read music, and taught me what he knew of standard tunes and so forth. It was a fantastic way to come up in music.
To put my name on a track as a solo artist was a big deal to me. There was no band to act as a buffer.
The theater is often seen as comical in the movies; to me, it's not comical - it's my life. I don't mean that it can't be comical, but it's not only comical.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
My band got signed in high school when I was 16, and we all dropped out of high school and went on tour. Then I quit the band because I was the manager, and I was doing everything, so I went solo.
Porcupine Tree is a band, and it's not up to me where the band goes - it's between the manager, our agent, and the band as a whole.
I look upon The Animals, they were a great band initially, we left our mark, but thing was it was a band that couldn't live up to its name so I soldiered on. On one level, it was devastating for a while. On another level, maybe I should thank them for helping me make my own way in my own career.
I prefer playing with a band. It's good to do both, but for me it's quite exciting when I hear my songs completely transformed with the band behind me. You can really get into it more, and so can the audience.
I obviously appreciate all the fans I gained from my band, but there weren't enough of them to make me a very successful artist. To me, being successful is selling a lot of records and selling out big venues on tour, and it's not up to anyone else to decide what success is for me.
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