A Quote by Marty Stuart

Coming from bluegrass background, I totally understand family harmonies. — © Marty Stuart
Coming from bluegrass background, I totally understand family harmonies.
The Jews have a powerful ally, America, but they do not really have a bigger family in the same way that there is a European family or an Arab-Muslim family. People who fail to understand this ambivalence will never understand this country. They will not be able to understand how Netanyahu could win the last election by saying the Iranians are coming, Islamic State (IS) is coming, the Arabs are coming, and the whole world hates us anyway.
You may not hear much bluegrass on the surface of my music, but I feel the emotion I put in a song comes from bluegrass. Bluegrass taught me to interpret a song, not just sing it.
Bluegrass is really a big part of my background.
The music has to come from bluegrass first. We always said back in the 70s that if you want to play newgrass you have to go through the school of bluegrass. You know, maybe Jack Black can make a movie now called School of Bluegrass . That would be cool.
In order to understand the history of the banjo, and the history of bluegrass music, we need to move beyond the narrative we've inherited, beyond generalizations that bluegrass is mostly derived from a Scotch-Irish tradition with influences from Africa. It is actually a complex Creole music that comes from multiple cultures.
When you're a kid, you listen to what your family is listening to. For my family, it was bluegrass.
I was aware of my race from a very young age. Not in a negative way. Coming from an interracial background, I think it is important to understand who you are.
There can be no real conflict between the two Books of the Great Author. Both are revelations made by Him to man,-the earlier telling of God-made harmonies coming up from the deep past, and rising to their height when man appeared, the later teaching man's relations to his Maker, and speaking of loftier harmonies in the eternal future.
No I don't play bluegrass harmonica or anything like that. I don't listen to country or bluegrass records.
I knew I loved playing bluegrass, so I'd end up down there on Sunday nights at the bluegrass jam.
I simply don't understand the refugee crisis. The history of humanity can be told through a story of migration and settlement. If I can't protect my family, I'm coming to where you are; I'm just coming. It's a round world, and we've all got to get on with it and move on.
Harmonies come really naturally to me. I don't have to labor too hard over them. I'll sing a lead vocal, and then I will immediately have all of these other ideas for vocal harmonies. I think that some of the most fun parts of recording, for me, are the vocal harmonies.
Coming from an African background, obviously the foundation of the family home is education, probably because my parents had to work a lot harder for everything that they've got in this country.
It doesn't matter if you stick the name 'bluegrass' on it. I think people call things bluegrass that I wouldn't necessarily call bluegrass, but what they're calling country music today I'm not sure that I would call country music. But I love music and I try to encourage people.
The Israeli mentality was totally different to mine. They just didn't understand people like me. They couldn't understand why I had been in a ghetto. We were totally different.
I'm coming from a Ginuwine and Usher background: slow and smooth songs. And that's why I really connected to Sam Cooke, because he was just very smooth. It's not like the James Brown types, which is all great stuff, but he was totally set apart from those guys.
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