A Quote by Marty Stuart
American Odyssey' will be an amazing adventure inside the musical walls of our cities. It's theater, and radio has always been great theater to me.
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Musical theater is an American genre. It started really, in America, as a combination of jazz and operetta; most of the great musical theater writers in the golden era are American. I think that to do a musical is a very American thing to me.
I don't think theater is dying, and musicals are a great American art form. We've got apple pie, jazz and musical theater.
I would love to do stuff on camera. That's what I want to do. It took me a really long time to feel confident as an actor. I think, also, because there's a weird stigma about musical theater where we treat the men who do musical theater differently than we treat the women in musical theater.
I always wanted to do musical theater. That was where I saw my life going since I was a musical theater major in college before I went to Pentatonix.
I've always been singing. Since day one. I started doing musical theater and you have to sing in musical theater and so that's where I got most of my training. So singing on stage, you just inevitably, when you're around other vocal artists, you get better at singing.
The musical theater is a glorious and distinctly American innovation in the history of theater.
I always wanted to make an album, but I knew that I didn't want it to be a musical theater album. It's not that I don't love them - I own every musical theater album ever made - but it just didn't seem right for me.
I was there when the quote-unquote golden age of musical theater was flourishing. I met everybody who worked in theater or was famous in theater from the '40s on.
I've never had any feeling of disconnection between the classical theater, or the contemporary theater, or musical theater, or the thing that we call opera.
I grew up doing musical theater. I went to a school for musical theater, so that was always what I wanted to do growing up.
My mom is an avid musical theatergoer. My dad would always get a subscription to the Syracuse Stage. I was always exposed to theater. So I went to a theater conservatory at Boston University.
One hundred percent, all your Shakespeare training serves you in the work in musical theater today: specifically in modern musical theater, our soliloquies, and now what we call rap. It's the reason it's so easy to learn, because it's verse; it's rhyme! It just sticks in the soul very easily.
I have always been interested in theater, as an actor and as someone who looks upon theater - at the risk of sounding pretentious - as an icon by which we measure society... My life has been in the theater to an extent. It's only an extension to write, direct, produce, whatever.
'Cabaret' was one of the first pieces of musical theater I saw that showed the possibilities of what musical theater can do.
I've been very fortunate. I've been in theater, films, television, radio, tragedy, comedy, farce - I've been in a musical and in music halls, in pantomime. I was once ringmaster in a circus.
In college, I actually majored in Musical Theater. I was pursuing a BFA in Musical Theater.
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