A Quote by Martin McGuinness

I don't think the majority of people - to be quite honest - care. I think they see me as someone who was at one stage of my life in the IRA, but they see me in the round, as someone who was able to make peace.
I think the idea of being on stage and playing for people, and being able to inject a little bit of joy into their lives is a really exciting concept for me. That's definitely why I make music. It's never been for any kind of materialistic reasons, so that thought of being able to be up on stage, and being able to give something to someone in a moment of need for them - that gets me up in the morning; that really excites me.
Some people see me as a rabble-rouser. Some people see me as someone who does not care about what other people think about me.
Fiction allows us to see the world from the point of view of someone else and there has been quite a lot of neurological research that shows reading novels is actually good for you. It embeds you in society and makes you think about other people. People are certainly better at all sorts of things if they can hold a novel in their heads. It is quite a skill, but if you can't do it then you're missing out on something in life. I think you can tell, when you meet someone, whether they read novels or not. There is some little hollowness if they don't.
And if you think that you're showing your love to Catherine by suffering the way you've been doing, then somewhere along the way, I must have messed up in raising you." "You didn't mess up...." "I must have. Because when I look at you, I see myself, and to be honest, I'd rather see someone different. I'd like to see someone who learned that it's okay to go on, that it's okay to find someone that can make you happy. But right now, it's like I'm looking in the mirror and seeing myself twenty years ago.
If you don't see someone, you don't think you can be it. People can see me and go on and do better than me.
With me, what you see is what you get. Yes, call me naive, but I love life. I am happy, and for that, I make no apologies. I do like to see the best in people, and when someone is nice to my face, I tend to believe them.
I think if someone was really rude to me in an audition, even someone quite important, I think I'd be, 'What are you doing? Don't talk to me like that!'
I think it's a shame when people don't see the funny, thoughtful Mark that I know. He is incredibly sensitive and really cares about what other people need and want and really wants to be able to make someone else's day. And that's the Mark that I see.
And from the first moment that I ever walked on stage in front of a darkened auditorium with a couple of hundred people sitting there, I was never afraid, I was never fearful, I didn't suffer from stage fright, because I felt so safe on that stage. I wasn't Patrick Stewart, I wasn't in the environment that frightened me, I was pretending to be someone else, and I liked the other people I pretended to be. So I felt nothing but security for being on stage. And I think that's what drew me to this strange job of playing make-believe.
If someone has failed, that is not a deficiency for me. I think that he has more motivation. I've seen many examples where someone was successful first and failed later and failed first and then succeeded. If they failed in an honest way, I don't see it as a deficiency.
Because people are ever willing to believe the negative over the positive. It’s easier for you to think me corrupt and evil than it is for you to see me for what I really am. No one wants to believe that some people are willing to help others out of the goodness of their hearts because they can’t stand to see someone suffer. So few people are altruistic that they can’t understand or conceive that anyone else in the world could ever put someone else’s good above their own. (Leta)
When I'm up on stage, I don't think about anything except the song I'm singing. Anyway, the majority of my audience is female, and I can't think that many of them want to see me a French maid outfit somehow!
I don't think it's very healthy to hold people to idealized views. I think that's a certain stage in life, something kids do. You have to go through that idealistic phase with your parents, but at a certain point, you need to see people as just people. And everyone's pretty similar. I think if you're in the showbusiness, like any high-stakes business, the highs and lows can make you a manic-depressive person, if you weren't that way to start with. 'Cause it's just so crazy on your psyche. A lot of it has to do with people thinking they're greater than someone else.
You might see someone with dreadlocks and label them a hippie in your head, but that doesn't mean they think of themselves that way. A lot of people look at me and see I have a beard and shaggy hair, and think I'm a hippie. I'm not a hippie, and I'm not not a hippie. I don't know what the f**k I am.
What's interesting about Twitter and the influencers that someone follows - like, say, Shaquille O'Neal - is that they see someone who is using the exact same tools that they have access to, and I think that inspires this hope to be able to really engage with someone like him.
In real life, I don't fall in love with the guy who wines and dines me, I fall in love with the flaws and the humanity. When I see someone get embarrassed or when I see them wearing their heart on their sleeve, I want to see that in movies. I hate seeing the put-together people, and then it makes everyone think they're supposed to look like that. It's all a bunch of BS.
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