A Quote by Martine Syms

My family, my background... it just parallels really nicely with a lot of social and cultural movements. — © Martine Syms
My family, my background... it just parallels really nicely with a lot of social and cultural movements.
When I was exposed to the history and the cultural background of why women whose husbands die, why they have to become ascetic or live a life that is completely deprived of emotional or social or cultural sustenance, I was really shocked.
Some people think that movements, such as the movements in ballet, are a higher cultural expression, whereas some are just dirt. I think it is elitist to think that a trained movement is more acceptable than untrained and possibly unrehearsed movements.
I don't really have girlfriends in movies, if you've noticed. Well, I have a few girlfriends, I just... I stay at home a lot. I'm just not very social. I don't do a lot with them, and I'm very homebound. I'll talk to my family, I talk to Brad... But I don't know, I don't have a lot of friends I talk to. He is really the only person I talk to.
Venezuela, Bolivia and Ecuador lived through times of cruel and ruthless capitalism where the workers, the masses of the population, saw themselves living in a precarious state of employment and subsistence conditions. The impact of this reality took hold and impacted the evolution of the social situation of those countries and even though that produced movements that were not exactly political movements but social movements.
I think that a lot of social movements, political movements, powerful ones - certainly they form, collectively, an idea of the truth which becomes hard to question. It becomes a dogma, and from the inside it starts to look like common sense.
The 20th century is a period defined by cultural and artistic movements. However, the 21st century creative-scape that we occupy now doesn't really have movements in the same way. Instead it's made up of diverse individuals working across various platforms simultaneously; art, architecture, film, music and literature.
I have a real hunger to experience life. I'm really, really inspired by my family. I grew up with my family, really did a lot; we took a lot of road trips, we did a lot of different businesses, we'd always tried stuff. For me, that just kind of sparked something from the time I was a kid.
The family is both a biological and a cultural group. It is biologic in sense that it is the best arrangement for begetting children and protecting them while they are dependent. It is a cultural group because it brings into intimate association persons of different age and sex who renew and reshape the folkways of the society into which they are born. The household serves as a "cultural workshop" for the transmission of old traditions and for the creation of new social values.
The current information revolution is a cultural revolution, a social revolution, a thoroughgoing technological revolution that involves not just information, but labor, leisure, entertainment, communication, education, culture and thus is part of a major cultural and social shift.
Power is global and politics is local. That must change. We need a new language for understanding new global power formations as well as new international modes of politics to fight them. Social movements must move outside of national boundaries and join with others across the globe to fight the savagery of neoliberal global politics and central to such a task is the work of intellectuals, artists, cultural workers, and others who can fashion new tools and social movements in the fight against the current anti-democratic threats being imposed all over the globe.
...discussing cultural relativism with cultural relativists is like playing tennis with some guy who says, "Your ace is just a social construct.
When Paul [Greengrass] was writing, he'd send me story ideas that he had. He was particularly interested in social movements and revolutions that had been happening all over the world, and how computers and the internet had helped those movements. He encouraged me to read a book about Anonymous, the hacker group called "white hat" hackers, meaning they're driven by ideology and social disruption as opposed to just greed.
I recall coming across a line by the late Charles Tilly when he said, "The conditions for the possibility of social movements have been called into question in the twenty-first century." And I said to myself, my god, a society in history without social movements, for me, is very difficult to live in.
I usually make sure that my stories are from Africa or my own background so as to highlight the cultural background at the same time as telling the story.
A lot of times, we don't seek the help. If you come from a family where you might have been abused, a lot of times, particularly with males, regardless of what the ethnic background is there's a sense of like 'Just keep it moving.'
You build movements and keep people in a struggle when it feels productive. Anti-capitalists have typically been the people in movements who have declared every gain to be a trick of the capitalist class to buy us off. That line isn't very inspiring, and it shows no sensitivity to how social movements actually succeed.
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