A Quote by Martin Short

Ill give you an idea of how Jewish Mel Brooks is: Thats a nose job. — © Martin Short
Ill give you an idea of how Jewish Mel Brooks is: Thats a nose job.
Id like to acknowledge three people who early on knew Mel Brooks was one of the funniest people in the world: Sid Caesar, me, and Mel Brooks.
I certainly didn't have New York Jewish humor. But I was in three Mel Brooks films so people thought I was a connoisseur of New York Jewish humor.
They wanted me to play third like Brooks so I did play like Brooks - Mel Brooks.
When people, especially from France, would ask me to talk about or so they could write about New York Jewish humor, I'd say I don't know anything about New York Jewish humor. I know who Zero Mostel was and I know Mel Brooks, but that's about all I could tell you about New York Jewish humor.
With Mel [Brooks], only one time and that was later on during "Young Frankenstein" - never with Zero [Mostel] and never with Mel except I was writing every day, and then Mel would come to the house and read what I'd written. And then he'd say, yeah, yeah, yeah, OK, yeah, OK. But we need a villain or we need whatever it was.
I mean I would still love to be in Mel Brooks' movies; he's great.
I was immediately into all the great movie comedians - Woody Allen, Mel Brooks, Richard Pryor, Gene Wilder. Everything those guys had anything to do with, from I don't know how young. Super young.
When I was younger, I used to look at movie stars with pencil-thin noses and think about a nose job. I've got a grown-up baby nose; it's not chiseled and structured. Then I saw how beautiful Audrey Tatou was in 'Amelie' and thought, 'She's got a nose like mine, and if she can have a baby nose, so can I.'
Mel Brooks is one of the few authentic geniuses working in comedy in America today.
What I learned from Mel Brooks was audacity - in performance as in life. Maybe you go too far, but try it.
I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
I am a huge Mel Brooks fan. And I do think that not seeing his canon of classics is a bit criminal or clueless.
We pay homage to the people who came before, doing satires, like Mel Brooks; we're just carrying the torch.
In high school, I started saving up to get a nose job, which is so ridiculous. I had this job at Tim Hortons, and I was trying to save up $10,000 for a nose job.
I first got involved with Mel Brooks through 'The Elephant Man.' Everybody knows now, but they didn't know at the time that he was the producer.
Preston Sturges is one of my favorites. I learned about dialogue and timing from him - louder, faster, funnier. But I do love Mel Brooks.
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