A Quote by Marshall McLuhan
The alphabet was one thing when applied to clay or stone, and quite another when set down on light papyrus.
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Light is the photographic medium par excellence; it is to the photographer what words are to the writer; color and paint to the painter; wood, metal, stone, or clay to the sculptor.
In creation myths, a god shapes mud or clay into living form, much like a potter throws a pot or a sculptor reveals the statue within a block of marble. But a writer has to create his own clay or stone before he can begin shaping life from it.
Hanging out with Pierce Brosnan on the set of 'A Long Way Down' was quite an extraordinary thing to do. The interesting thing is, he never behaves like a star. He's a really nice man.
The guarantee of equal protection cannot mean one thing when applied to one individual and something else when applied to a person of another color. If both are not accorded the same protection, then it is not equal.
That result at the French was a big break for me. I had been playing quite well up until that point but nobody really expected me to do well on clay - it was my worst surface. I had had some success on the clay but I was a set and a break up in the semi-final against Jausovec and maybe the enormity of the occasion got to me.
Every thing thinks, but according to its complexity. If this is so, then stones also think...and this stone thinks only I stone, I stone, I stone. But perhaps it cannot even say I. It thinks: Stone, stone, stone... God enjoys being All, as this stone enjoys being almost nothing, but since it knows no other way of being, it is pleased with its own way, eternally satisfied with itself.
This clay, so strong of heart, of sense so fine,Surely such clay is more than half divine--'Tis only fools speak evil of the clay,The very stars are made of clay like mine.
Let the girl be thoroughly developed in body and soul, not modeled, like a piece of clay, after some artificial specimen of humanity, with a body like some plate in Godey's book of fashion, and a mind after the type of Father Gregory's pattern daughters, loaded down with the traditions, proprieties, and sentimentalities of generations of silly mothers and grandmothers, but left free to be, to grow, to feel, to think, to act. Development is one thing, that system of cramping, restraining, torturing, perverting, and mystifying, called education, is quite another.
If you are expecting Paul to read the Bible like it was set in stone, you will find yourself getting pretty nervous. For Paul, now that Jesus has come, the Bible was more like clay to be molded.
It's one thing to read about how makeup is applied. It's another thing altogether to watch it being put on.
A sudden understanding, a pity mixed with horror, welled up in Bilbo's heart: a glimpse of endless unmarked days without light or hope of betterment, hard stone, cold fish, sneaking and whispering. All these thoughts passed in a flash of a second. He trembled. And then quite suddenly in another flash, as if lifted by a new strength and resolve, he leaped.
The living thing is not the clay molded by the potter, nor the harp played upon by the musician. It is the clay modeling itself.
There is no closed figure in nature. Every shape participates with another. No one thing is independent of another, and one thing rhymes with another, and light gives them shape.
You cannot expect stone to be as pliable as clay.
Sometimes we set off down a road thinkin' we're goin' one place and we end up another. But that's okay. The important thing is to start.
For as from the same piece of clay a potter may fashion either a pot or a tile, so the Devil may shape a witch into a wolf or a cat or even a goat, without subtracting from her and without adding to her at all. For this occurs just as clay is first molded into one, then shaped into another form, for the Devil is a potter and his witches are but clay.
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