A Quote by Masa Takayama

Today, in the newspapers and magazines, the first sentence is, my restaurant is expensive. — © Masa Takayama
Today, in the newspapers and magazines, the first sentence is, my restaurant is expensive.
When I started graduate school we did this publishing class where we learned about submitting and read interviews with editors from different magazines. A lot of them said they got so many submissions that unless the first page stuck out or the first paragraph or even the first sentence they'll probably send it back. So part of my idea was that if I have a really good first sentence maybe they'll read on a bit further. At least half, maybe more of the stories in Knockemstiff started with the first sentence; I got it down then went from there.
Let every book-worm, when in any fragrant, scarce old tome, he discovers a sentence, a story, an illustration, that does his heart good, hasten to give it the widest circulation that newspapers and magazines, penny and halfpenny, can afford.
When I was 11 or 12 - a young boy in Japan - one of my older brothers took me to a sushi restaurant. I had never been to one, and it was very memorable. Back then, sushi was expensive and hard to come by, not like today, when there's a sushi restaurant on every street corner and you can buy it in supermarkets.
When you have a foreign invasion - in this case by the Indonesian army - writers, intellectuals, newspapers and magazines are the first targets of repression.
Codifying discrimination in our laws should be something we read about in American history, not on the front pages of today's American newspapers and magazines.
The first sentence of the truth is always the hardest. Each of us had a first sentence, and most of us found the strength to say it out loud to someone who deserved to hear it. What we hoped, and what we found, was that the second sentence of the truth is always easier than the first, and the third sentence is even easier than that. Suddenly you are speaking the truth in paragraphs, in pages. The fear, the nervousness, is still there, but it is joined by a new confidence. All along, you've used the first sentence as a lock. But now you find that it's the key.
Even as a little kid, I was fascinated by newspapers and magazines. They were my TV. I'd be the first one up to grab the morning paper, mainly to look at the sports pictures, the war pictures.
The advent of the Internet exposed the fact that the old business model for newspapers was broken. The world wide web fundamentally changed the media eco-system, challenging established journalistic practice in what is known as the mainstream media: radio, television, newspapers and magazines.
I finish the book so I can see how it's going to end. I write that first sentence, and if it's the right first sentence, it leads to the right second sentence and three years later you have a 500-page manuscript, but it really is like going on a trip, going on a journey. It's a voyage.
Newspapers are what matter in this country, not magazines.
I see no hope for a revival among God's people today. They are so enamored and so cluttered up with Hollywood and newspapers and magazines and parties and bowling alleys and camping trips and everything else. How in the world are they going to get still long enough to see anything from God?
I opened Leith's in Notting Hill in 1969 and it eventually worked its way into being awarded a Michelin star. At the time, there were a few women running small bistros - but I was the first woman to have a 'serious,' expensive restaurant.
What's so hard about that first sentence is that you're stuck with it. Everything else is going to flow out of that sentence. And by the time you've laid down the first two sentences, your options are all gone.
The most important sentence in any article is the first one. If it doesn't induce the reader to proceed to the second sentence, your article is dead. And if the second sentence doesn't induce him to continue to the third sentence, it's equally dead.
I bought a restaurant - that was pretty expensive.
I don't know what fun newspapers and magazines derive from interfering in people's private lives.
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