A Quote by Matteo Guendouzi
I'd say my main quality is keeping the ball and my passing.
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I was always really good with the ball, I was always passing the ball, scoring, shooting the ball. I think for me, that's just a normal thing.
My only focus after I start the putter away from the ball is keeping the back of my left wrist as fat as possible from start to finish. This is critical to keeping the putterhead and ball moving straight down the target line after impact. It's also how Rory Mcllroy squares his putterface, and obviously it works for him.
For the record, I am sticking with my claim that the simultaneous degradation of air quality, water quality, water supply, food safety, soil quality, and other environment-related variables is the main challenge to China's continued development.
My main concern is quality and I think there is quality to be found in all categories of filmmaking.
When I was in Dutch and Italian football, a lot of people looked at Manchester United, and when they were asked who was the best player, a lot of them said Paul Scholes. Much of what he did looked simple, but actually it was quite hard. Invariably he controlled the ball instantly and passed it straight on, keeping the game moving. He made inch-perfect passes across the pitch; he saw the gaps and could play the ball through them. So it didn't surprise me that so many top-class international footballers recognized his quality.
When our positioning and ball game and passing is not that good, then my game is struggling as well. I can score from set pieces and so on, but I have to be involved in the combinations, make my runs without the ball, go deep.
Everybody has their own answer of what a catch should be. I say, secure the ball; if the ball is not moving, it's a dead ball, simple as that.
To be successful you have to find a good balance between offence and defence, to work without the ball, but our main tactic is to work with the ball, to be in possession.
Players who win on a clay surface are those who can control the ball, playing steadily and accurately from the back-court, keeping the ball in play and moving it around with changes of speed and spin, and resisting the temptation to over-hit.
When covering the man with the ball, the defense should be able to touch the ball with his hand. He should assume this touching position as the ball is being received. When the ball is received, the defense should discourage the pass into the post area. The hands should be kept up. Keeping the hands up reduces a tendency to foul and allows a player to move his hands quickly.
Publishers vet books, and they do a good job keeping out the low quality. But they also miss some good quality.
Technique is not being able to juggle a ball 1000 times. Anyone can do that by practicing. Then you can work in the circus. Technique is passing the ball with one touch, with the right speed, at the right foot of your team mate.
I have played as a goalkeeper since I was six but I always worked on my ball skills, playing with my foot, knowing how to control the ball, how to pass. But the main thing is to save goals.
I've always been able to shoot the ball, so it's just about continuing to work on your shot and shoot the ball. That's the main thing. Got to get those shots up.
If I have even just a little sense, I will walk on the main road and my only fear will be of straying from it. Keeping to the main road is easy, But people love to be sidetracked.
Quality doesn't mean deep blacks and whatever tonal range. That's not quality, that's a kind of quality. The pictures of Robert Frank might strike someone as being sloppy-the tone range isn't right and things like that-but they're far superior to the pictures of Ansel Adams with regard to quality, because the quality of Ansel Adams, if I may say so, is essentially the quality of a postcard. But the quality of Robert Frank is a quality that has something to do with what he's doing, what his mind is. It's not balancing out the sky to the sand and so forth. It's got to do with intention.
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