A Quote by Matsuo Basho

How much I desire! Inside my little satchel, the moon, and flowers — © Matsuo Basho
How much I desire! Inside my little satchel, the moon, and flowers
I know who's the best pitcher I ever see and it's old Satchel Paige, that big lanky colored boy. My fastball looks like a change of pace alongside that little pistol bullet ole Satchel (Paige) shoots up to the plate.
How much more beautiful is the moon, Slanting down the gauffered branches of a plum-tree; The moon Wavering across a bed of tulips; The moon, Still, Upon your face. You shine, Beloved, You and the moon. But which is the reflection?
Musicians in my day had nicknames. My name was "Satchel Mouth," like a doctor's satchel. When I went to England this fellow was strictly English, and he was editor of the newspaper there. He shook my hand after I got off the train and said, "Hello, Satchmo." So right away my trombone player said, "Mmm, the man thinks you have mo' mouth than Satchel Mouth." So I was stuck with it, and it turned out all right.
The moon looks upon many night flowers; the night flowers see but one moon.
How many slams in an old screen door? Depends how loud you shut it. How many slices in a bread? Depends how thin you cut it. How much good inside a day? Depends how good you live 'em. How much love inside a friend? Depends how much you give 'em.” ? How Many, How Much by Shel Silverstein “Tell the truth, or someone will tell it for you.
How many slams in an old screen door? Depends how loud you shut it. How many slices in a bread? Depends how thin you cut it. How much good inside a day? Depends how good you live 'em. How much love inside a friend? Depends how much you give 'em.
While Maddox now believed the demon did not want to hurt Ashlyn, he wasn't willing to take a chance. He would talk about flowers and moonbeams - he cringed - if it meant maintaining this delectable inner peace. "Is there a way to break your death-curse?" Ashlyn asked. So much for flowers and moon-beams.
There are no flowers in the Moon; that's why the Moon is a boring place!
The flowers of life are but visionary. How many pass away and leave no trace behind! How few yield any fruit,--and the fruit itself, how rarely does it ripen! And yet there are flowers enough; and is it not strange, my friend, that we should suffer the little that does really ripen to rot, decay, and perish unenjoyed?
We grow like flowers, and bear desire, the odor of the human flowers.
Real haiku is the soul of poetry. Anything that is not actually present in one's heart is not haiku. The moon glows, flowers bloom, insects cry, water flows. There is no place we cannot find flowers or think of the moon. This is the essence of haiku. Go beyond the restrictions of your era, forget about purpose or meaning, separate yourself from historical limitations—there you will find the essence of true art, religion, and science.
The world is too much with us; late and soon, Getting and spending, we lay waste our powers: Little we see in Nature that is ours; We have given our hearts away, a sordid boon! The Sea that bares her bosom to the moon; The winds that will be howling at all hours, And are up-gathered now like sleeping flowers; For this, for everything, we are out of tune.
We are resident inside with the machinery, a glimmering spread throughout the apparatus. We exist with a wind whispering inside and our moon flexing. Amid the ducts, inside the basilica of bones. The flesh is a neighborhood, but not the life.
Don't go outside your house to see flowers. My friend, don't bother with that excursion. Inside your body there are flowers. One flower has a thousand petals. That will do for a place to sit. Sitting there you will have a glimpse of beauty inside the body and out of it, before gardens and after gardens.
The idea for 'Midnight Moonlight' was mostly inspired by the moon herself. Advancing from my previous EP 'Moon Shoes,' I felt it necessary to dig a little deeper into who I am and the relationship between my music and the moon.
When you're on the inside, there's no other perspective but what you see on the inside. When you're on the outside, you get to look at things a little differently: how you can help, how you can fit in, how you can do certain things differently.
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