A Quote by Megan Chance

The women of the French Resistance astounded me. Isabelle and Vianne [from The Nightingale] are my homage to those brave and forgotten women. — © Megan Chance
The women of the French Resistance astounded me. Isabelle and Vianne [from The Nightingale] are my homage to those brave and forgotten women.
I think that one of the tasks of feminist women - mainly women of culture - in our time is to seek out those women who were only forgotten because they were women.
In the end, the best part of the whole book [The Nightingale ] to me was the research, reading about the courageous, ordinary French women who put their lives on the line to save others. It was really inspirational.
I believe that women are many different types of people. There are brave women, there are cowardly women, there are altruistic women, there are selfish women. Most people are a combination of the same.
They are our brothers, these freedom fighters.... They are the moral equal of our Founding Fathers and the brave men and women of the French Resistance. We cannot turn away from them, for the struggle here is not right versus left; it is right versus wrong.
What's surprising to me now is that now that I'm talking to a lot of women about this, so many women are doing this. Straight women, lesbian women, bisexual women, poor women, White women, immigrant women. This does not affect one group.
Andrée De Jongh story led me to other stories of women who joined the Resistance in France. I found literally dozens of memoirs written by women who had become spies and couriers and helped to create the escape network. These women were like action-star heroes.
French women love to shop and prepare food. They love to talk about what they have bought and made. It's a deeply natural love, but one that is erased in many other cultures. Most French women learn it from their mothers, some from their fathers. But if your parents aren't French, you can still learn it yourself.
Romance novels are tales of brave women taming dangerous men. They are stories that capture the excitement of that most mysterious of relationships, the one between a woman and a man. They are legends told to women by other women, and they are as powerful and as endlessly fascinating to women as the legends that lie at the heart of all the other genres.
Women are foils to men in South Korea. It is hard for women to take a lead role even in NGOs for political resistance. Men think women should do trivial things on the margins. They think women should be merely a seasoning for a dish. I feel anger and sorrow seeing this.
The women I see are very brave women, very strong women, women that are facing a lot of challenges and yet are up to the challenges and are making a very big effort. So I don't see why one of them cannot become a president - one day.
All the women I've grown up with at 'SNL' and other areas, and even the women that work with Judd Apatow, all those women are powerful, assertive women that have great material, and they just produce themselves.
The French legend is a very simple one. All really beautiful clothes are designed in the houses of the French couturiers and all women want those clothes.
I think, French girls, we are not the most stylish women in the world. For me, New Yorkers are more stylish, or even women here in London.
Women are foils to men. It is hard for women to take a lead role even in NGOs for political resistance.
It occurred to me that there have always been selkie women: women who did not seem to belong to this world, because they did not fit into prevailing notions of what women were supposed to be. And if you did not fit into those notions, in some sense you weren't a woman. Weren't even quite human. The magical animal woman is, or can be, a metaphor for those sorts of women.
And this homage to women's attractions has distorted their understanding tosuch an extent that almost all the civilized women of the present century are anxious only to inspire love, when they ought to have the nobler aim of getting respect for their abilities and virtues.
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