A Quote by Maynard James Keenan

You know, I grew up listening to Joni Mitchell. — © Maynard James Keenan
You know, I grew up listening to Joni Mitchell.
I grew up listening to Joni Mitchell's version of "A Case of You." My mom was a huge Joni Mitchell fan.
I would say I grew up listening a lot to Barbra Streisand and Judy Garland and Joan Baez and Joni Mitchell. I grew up listening to those because my parents were kind of into folk music.
I've always played acoustically - it's how I learned. I grew up listening to Leonard Cohen, Joni Mitchell, Neil Young, Dylan and what have you.
I grew up in the '70s, and I hear in my own stuff a lot of what I grew up listening to, which is to say I hear a lot of Billy Joel, Paul McCartney, Carole King, Joni Mitchell and Stevie Wonder.
Definitely I grew up listening to Joni Mitchell, and I think she is a wonderful writer, so she is probably part of me.
My mom was obsessed with Joni Mitchell; I grew up listening to so much of her music. But it was never a prerogative to emulate her.
Why would I want to sound like Joni Mitchell? I've got Joni Mitchell records, and they're great, and I couldn't possibly be that good.
As a kid, I was listening to Aretha Franklin, Etta James and hip-hop as well as music my parents were listening to, like Joni Mitchell and Leonard Cohen.
On first listening, Joni Mitchell's 'Court And Spark,' the first truly great pop album of 1974, sounds surprisingly light; by the third or fourth listening, it reveals its underlying tensions.
I started playing guitar and writing songs when I was 15. I think what mainly sparked my interest was just the fact that I grew up listening to Cheryl King, Joni Mitchell, and James Taylor, and was just always inspired by that sort of organic art, and organic songs and just very natural songwriting that came out of some of those artists.
I'm not the kind of guy who can be sitting around listening to Joni Mitchell, chilling. I'd rather bash my head against a wall.
I didn't grow up listening to him - my parents listened more to Neil Young and Joni Mitchell - but I lived in a flatshare for two years, and my flatmate loved Leonard Cohen. He would always play him when he got home from the studio or something.
I don't know any guitar player, any of the real greats, who don't rate Joni Mitchell up there with the best of them.
People have these incredible expectations. So instead of being inspired by, say, Joni Mitchell's music, I look at it and say to myself, 'I'm going to quit - why would I think of writing or performing after listening to that?'
You wouldn't find a Joni Mitchell on 'X Factor;' that's not the place. 'X Factor' is a specific thing for people that want to go through that process - it's a factory, you know, and it's owned and stitched-up by puppet masters.
We soaked up everything from Beethoven to Chopin to Jimi Hendrix to Joni Mitchell and Bob Dylan.
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