A Quote by Mason Cooley

Shaw writes as if it were always midday. — © Mason Cooley
Shaw writes as if it were always midday.

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George Bernard Shaw writes like a Pakistani who has learned English when he was twelve years old in order to become an accountant.
Mr. Shaw came for a short time recently to be regarded less as an author than as an incident in the European War. In the opinion of many people it seemed as if the Allies were fighting against a combination composed of Germany, Austria-Hungary, Turkey, and Mr. Shaw.
A man always writes absolutely well whenever he writes in his own manner, but the wigmaker who tries to write like Gellert ... writes badly.
Shaw writes plays for the ages, the ages between five and twelve.
Shaw's plays are the price we pay for Shaw's prefaces.
While browsing in a second-hand bookshop one day, George Bernard Shaw was amused to find a copy of one of his own works which he himself had inscribed for a friend: "To ----, with esteem, George Bernard Shaw." He immediately purchased the book and returned it to the friend with a second inscription: "With renewed esteem, George Bernard Shaw.
There was a little afternoon show that was called Afternoon. Back in those days in television, most local stations had a midday show for housewives that had a series of things. It was like a variety show for midday.
I think 'The Musketeers' is probably the Dumas novel people are most familiar with, or if not that, it's 'The Count Of Monte Cristo'. I've always been a big fan of Dumas because, on the one hand, he writes a lot about revenge, but he also writes about the cost of it to the revenger - I'd always had an interest in that.
Seeing clearly within himself and always able to dodge around the ends of any position, including his own, Shaw assumed from the start the dual role of prophet and gadfly. To his contemporaries it appeared frivolous and contradictory to perform as both superman and socialist, sceptic and believer, legalist and heretic, high-brow and mob-orator. But feeling the duty to teach as well as to mirror mankind, Shaw did not accept himself as a contradictory being.
One writes not to be read but to breathe...one writes to think, to pray, to analyze. One writes to clear one's mind, to dissipate one's fears, to face one's doubts, to look at one's mistakes--in order to retrieve them. One writes to capture and crystallize one's joy, but also to disperse one's gloom. Like prayer--you go to it in sorrow more than joy, for help, a road back to 'grace'.
Happy is he who looks only into his work to know if it will succeed, never into the times or the public opinion; and who writes from the love of imparting certain thoughts and not from the necessity of sale - who writes always to the unknown friend.
A man who writes well writes not as others write, but as he himself writes; it is often in speaking badly that he speaks well.
If a farmer calls me to a sick animal, he couldn't care less if I were George Bernard Shaw.
We are what we always were in Salem, but now the little crazy children are jangling the keys of the kingdom, and common vengeance writes the law!
P.G. Wodehouse was a huge influence on me when I was younger, as were Edgar Rice Burroughs and George Bernard Shaw.
When I was younger, I had two players: Luke Shaw and Gareth Bale. When Shaw was at Southampton, he was a left-back, and I loved watching him bomb up and down the wing, create goals, score goals, so I think I try to emulate that. Gareth Bale - same thing, really.
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